Carol Christian Poell - Designer
- Thread starter BerlinRocks
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i thought i should start contributing here. sorry if it's been posted.
some are my pics.
from EM and Prague
some are my pics.
from EM and Prague
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BerlinRocks
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saw an AMAZING leather jkt @ Atelier this afternoon - from the FW 2010, it seems !!!!
Damn, wanted it sooo bad ...
But 8,000$ .......
* only 1 piece left, btw ...
And CCP, irl ...... I diiiie with the leather ! I really do need one CCP leather piece !
Everything I saw was pure luxe from him !
* but the price are really high-rocket ! A linen shirt at 1,090$ is still ...
Eventhough, it looked nice and so easy-wearing ...
But whatever, once I can get afford a 8,000$ CCP leather piece, I do it ! Loved it ... After, I was depressed going into the other shops ...
* My bf and I loved Atelier by the way. It was our first experience overthere ! Very niiiice ! Though, I am too fat to buy anything from the sale racks ...
Damn, wanted it sooo bad ...
But 8,000$ .......
* only 1 piece left, btw ...
And CCP, irl ...... I diiiie with the leather ! I really do need one CCP leather piece !
Everything I saw was pure luxe from him !
* but the price are really high-rocket ! A linen shirt at 1,090$ is still ...
Eventhough, it looked nice and so easy-wearing ... But whatever, once I can get afford a 8,000$ CCP leather piece, I do it ! Loved it ... After, I was depressed going into the other shops ...
* My bf and I loved Atelier by the way. It was our first experience overthere ! Very niiiice ! Though, I am too fat to buy anything from the sale racks ...
runner
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thanks fenrost
softgrey, stamps sheet comes to mind when I see that seam especially done around the pocket.
goo.ne
Berlin, maybe there is not anything produced specifically for F/W 10. what's delivered is still from 09. or something that was exclusively ordered that stores might call F/W 10, using their own discretion.
athough leather jackets are various in style, material, etc, there is one available for about half of that price.
softgrey, stamps sheet comes to mind when I see that seam especially done around the pocket.
goo.ne
Berlin, maybe there is not anything produced specifically for F/W 10. what's delivered is still from 09. or something that was exclusively ordered that stores might call F/W 10, using their own discretion.
athough leather jackets are various in style, material, etc, there is one available for about half of that price.
runner
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what he does is sometimes like surgical virtuosity, which is not wonderful because putting pattern pieces/leather parts together is similar to sewing up skin wounds/flesh parts. he does glued seams and stapled leather, and you see there is even something called dermal glue as well as skin stapler in suturing techniques today.
another common thing is incision. it's ordinary with surgery. but it is applied to his work too. he does it figuratively and sometimes literally.
when an object, as a certain container of pieces of matter, is too closed, that can be a kind of self-alienation.
it gets too fixed, confined and established. its existence will freeze eventually, just like a rigid definition of the meaning of a word can kill all the nuance of the word charged with flexibility and subtlety. so he makes flaws, tears, cracks, and openings on his pieces to keep them alive and interesting. it's not a safe thing to do. it can be a leak through which his piece ends up hastening to decomposition. but it can also be a power intake which brings the piece to the state beyond its individuality / what it otherwise was.
( the incised sole is half for utility of course since the bull sole is very hard and thick )
closure and opening, restriction and release, if it is matter temporarily cohering in a certain way and is to lead to diffusing into eternity, it's like what we recognize as life and death. some of us might slightly see life contrasted by death in his work, which might be one of the peculiar elements that make it feel a bit special. or at least that's how I see it for sure.
unitedarrows
infoseek
lordoftheflies
another common thing is incision. it's ordinary with surgery. but it is applied to his work too. he does it figuratively and sometimes literally.
when an object, as a certain container of pieces of matter, is too closed, that can be a kind of self-alienation.
it gets too fixed, confined and established. its existence will freeze eventually, just like a rigid definition of the meaning of a word can kill all the nuance of the word charged with flexibility and subtlety. so he makes flaws, tears, cracks, and openings on his pieces to keep them alive and interesting. it's not a safe thing to do. it can be a leak through which his piece ends up hastening to decomposition. but it can also be a power intake which brings the piece to the state beyond its individuality / what it otherwise was.
( the incised sole is half for utility of course since the bull sole is very hard and thick )
closure and opening, restriction and release, if it is matter temporarily cohering in a certain way and is to lead to diffusing into eternity, it's like what we recognize as life and death. some of us might slightly see life contrasted by death in his work, which might be one of the peculiar elements that make it feel a bit special. or at least that's how I see it for sure.
unitedarrows
infoseek
lordoftheflies
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congrats zam...!...
may you wear them in good health!...
thanks my friend!
been a long time!
what've you been up to?
thanks runner, you got me thinking on some of his technique he used in his other work, i am not medical students by all means, i did wondered that the scarstitching and or overlock stitching, for instance, can be safe to said there are derived from surgery's suture technique, or other known areas.
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runner
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thanks for the pic fenrost
what he officially stated is that he was interested in orthopaedic appliances and artificial body parts.
making the whole of his piece as an aggregate of the designs for the individual body parts might be a general tendency.
( A/W 07 "disjointed" representatively )
tokinowasuremono.com
what he officially stated is that he was interested in orthopaedic appliances and artificial body parts.
making the whole of his piece as an aggregate of the designs for the individual body parts might be a general tendency.
( A/W 07 "disjointed" representatively )
tokinowasuremono.com
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thank you, runner, as always great insight.
i have been thinking of the selvedge programe in their selfsame collection, it seem to be very under-discussed. as in, that there's more than meets the eye, and more than just knowing what they were.
my pics:
*almost all seams selvedge, pocket laps, sleeves, collars, etc
i agreed that you said it's like a continuous search of answer of unraveling edge - it seems like a departure of his previous attempts at his disposal, but there's this re-emphasizing, that parallels to his practice.
two aspect- those who do not understand what the red lines meant, will only see it as design or styling.
and those who do, will understand the red lines as selvedge, and understand the extremity his selvedge program, both process and production. thus, i find his revelation, and sartorial performance, as encrypted.
- it seems to be conveyed in the details, subtle minimalism yet explicit statement of his madness and bravery which are incongruent to the eyes. not so unto everyone's face, visually/aesthetically.
this minimalism, also seems to be appeared far more extreme in the fe-male pieces, like the selvedge long coat and shirt, - it's like he got rid off more noises - the neck, shoulder, body shapes, etc; maybe he is just plain lazy. but, he seems to have a reason for that - the more simple a garment / the less noise -the more sophistication it creates.
so i see the whole selvedge program, from male to fe-male, pollinating, and cohesive - encrypted but empowered.
*even the tags of his selvedge garments, has the redline
left : unlined selvedge blazer
right : lined classic blazer
i have been thinking of the selvedge programe in their selfsame collection, it seem to be very under-discussed. as in, that there's more than meets the eye, and more than just knowing what they were.
my pics:
*almost all seams selvedge, pocket laps, sleeves, collars, etc
i agreed that you said it's like a continuous search of answer of unraveling edge - it seems like a departure of his previous attempts at his disposal, but there's this re-emphasizing, that parallels to his practice.
two aspect- those who do not understand what the red lines meant, will only see it as design or styling.
and those who do, will understand the red lines as selvedge, and understand the extremity his selvedge program, both process and production. thus, i find his revelation, and sartorial performance, as encrypted.
- it seems to be conveyed in the details, subtle minimalism yet explicit statement of his madness and bravery which are incongruent to the eyes. not so unto everyone's face, visually/aesthetically.
this minimalism, also seems to be appeared far more extreme in the fe-male pieces, like the selvedge long coat and shirt, - it's like he got rid off more noises - the neck, shoulder, body shapes, etc; maybe he is just plain lazy. but, he seems to have a reason for that - the more simple a garment / the less noise -the more sophistication it creates.
so i see the whole selvedge program, from male to fe-male, pollinating, and cohesive - encrypted but empowered.
*even the tags of his selvedge garments, has the redline
left : unlined selvedge blazer
right : lined classic blazer
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runner
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thank you fenrost, the red line on the tag is nice and cute.
as we know, part of him is still a stern tailor. he thinks, if both fabric and thread that he wants to use that are unusual allow him, he has to put at least seven stitches per centimeter in a shirt, as a basic quality.
his work is still based on classic tailoring manners, no matter how deviate its vector appears. it's a personal deep diving into, yes, madness where the rope of tailoring classicism is his only lifeline.
it's a tailor but also a personal one in the extreme. so, in that kind of case, what happens at last may be a strange distortion, like what we see in a certain kind of Mannerism.
as we know, part of him is still a stern tailor. he thinks, if both fabric and thread that he wants to use that are unusual allow him, he has to put at least seven stitches per centimeter in a shirt, as a basic quality.
his work is still based on classic tailoring manners, no matter how deviate its vector appears. it's a personal deep diving into, yes, madness where the rope of tailoring classicism is his only lifeline.
it's a tailor but also a personal one in the extreme. so, in that kind of case, what happens at last may be a strange distortion, like what we see in a certain kind of Mannerism.
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