runner
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- Joined
- Feb 26, 2004
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"every continued quantity is divisible in infinitum. the motion of the eye, looking at the hand, and descending from A to B, being a continued quantity, may of consequence be divided into an infinity of parts: now the hand always changing its figure and aspect, as its situation alters with regard to the eye, it will be seen under as many different aspects, as there are distinct parts in the motion; that is, the aspects of the hand are varied to infinity. and the result would be the same, if the eye, instead of being lowered from A to B, should be raised from B to A; or if the eye were fixed, and the hand had its motion."
- leonardo da vinci
the motion is described as an infinitely divisible and variable process. he says the aspects every human action offers us are infinitely different, as if deformation was optically, physically, legitimated.
"fixed-explosive" - andre breton's prophecy about beauty corresponds to the high-speed or super-slow camera view, or childlike (and in a way rather erotic) overzealous desire to escape from normal dimensions, deviate from normal speed. to fluidize objects through anamorphosis and arrest.
the form becomes a victim of the space and the viewer, and with ccp, the wearer becomes a victim of the form.
hendrick goltzius 1588
"de hand van judas"
carol christian poell 2010
"object dyed leather hands" (not gloves any more here at last)
christies
centocose
lift
- leonardo da vinci
the motion is described as an infinitely divisible and variable process. he says the aspects every human action offers us are infinitely different, as if deformation was optically, physically, legitimated.
"fixed-explosive" - andre breton's prophecy about beauty corresponds to the high-speed or super-slow camera view, or childlike (and in a way rather erotic) overzealous desire to escape from normal dimensions, deviate from normal speed. to fluidize objects through anamorphosis and arrest.
the form becomes a victim of the space and the viewer, and with ccp, the wearer becomes a victim of the form.
hendrick goltzius 1588
"de hand van judas"
carol christian poell 2010
"object dyed leather hands" (not gloves any more here at last)
christies
centocose
lift
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