Cate Blanchett

[jexxica]

Wow . What I like the least is the hair.

 

[liaa]

I think she looks incredible!

 

[Not Plain Jane]

Awesomely fierce!

 

[Benn98]

I don´t like the feathers top at all, the earrings are fabulous tough

I'm with you, something looks off. I think it's the excess detail vs the understated trousers. Not exactly original.

 

[Yohji]

On Graham Norton:

bootyful.xyz​

 

[YohjiAddict]

Feather's are the perfect way to look bigger anywhere you put them on unless it's just at the hem. I really don't like that look.

 

[puresoul]

Cate Blanchett leaves the studio after taping an appearance on The Late Late Show with James Corden in London, June 18, 2018

justjared​

 

[Not Plain Jane]

i loved her at cannes
however, i've found the ocean's 8 looks a bit repetitive.

 

[jexxica]

eliroth twitter​

 

[jexxica]

Stills

imdb​

 

[Nymphaea]

Harper's Bazaar Australia September 2018

Harper's Bazaar digital edition

 

[Yohji]

Cate Blanchett is seen arriving at Venice Airport during the 75th Venice Film Festival on August 30, 2018 in Venice, Italy.

vogue.com​

 

[Yohji]

Cate Blanchett walks the red carpet ahead of the 'A Star Is Born' screening during the 75th Venice Film Festival at Sala Grande on August 31, 2018 in Venice, Italy.

zimbio.com​

 

[jexxica]

Cate Blanchett walks the red carpet ahead of the 'Suspiria' screening during the 75th Venice Film Festival at Sala Grande on September 1, 2018 in Venice, Italy.

zimbio​

 

[iclawhands]

How is she even real. So beautiful I can barely stand it.

 

[vogue28]

Cate and Giorgio Armani are a total match made in heaven. She blew me away with her star quality in the first feathered look on the red carpet... so regal, elegant and utterly sophisticated. A true star!

 

[Yohji]

Cate Blanchett attends the World Premiere of "The House With The Clock In Its Walls" at Westfield White City on September 5, 2018 in London, England.

zimbio.com​

 

[Yohji]

Harper's Bazaar UK October 2018:

 

[Yohji]

cate-blanchett.com

 

[Yohji]

Cate Blanchett, Interpreted: 9 Female Artists and Photographers Expose the Actress's Power as a Muse in a Special Issue of W Magazine

At the Cannes Film Festival this year, 82 women, all of whom have starred in, directed, written, or otherwise worked on movies, including many that have been shown over the festival’s 72-year history, were celebrated together on the long red carpet that leads to the Grand Théâtre Lumière. It was a beautiful and profound statement that spoke directly to the #MeToo movement. Instead of commiserating about injustice, these women, from different backgrounds and countries, were proudly displaying their talent, range, and creativity. It was an active gesture of solidarity. “We need to remake the industry in a new and fresh way,” said Cate Blanchett, who was the head of the jury in Cannes and is also the guest editor of this issue of W. Our idea was to create something similar to that amazing female empowerment scene in Cannes: to show what female photographers, artists, directors, and stylists can create. This issue, spearheaded by the greatest actress of her generation (who, most recently, plays a complex witch in The House With a Clock in Its Walls, out on September 21), is an extraordinary ode to the female gaze. All of our contributors in these pages are women. For Blanchett, who was the muse for nine of these varied talents in this cover portfolio—including Alex Prager, who cast her in a murder mystery; Cass Bird, who captured Blanchett on the night of her Ocean’s 8 premiere, in Times Square; and Shirin Neshat, who envisioned her as a raven-haired chanteuse—the breadth of vision was thrilling. “I don’t like to generalize about gender,” Blanchett explained, “but, for me, the biggest question was: Why haven’t I worked with these remarkable women more?! Where have they been?” They are here. World: Take notice.

wmagazine.com​