I find it a bit amusing when people bring up that degree of judgement over a work that is more than 20 years old, while today, barely any designer who’s hired to take a brand with a precise POV is doing so with faithfulness to it’s original customer or using house codes as anything but ingredients to remix at their convenience.
I wasn’t a fan of Milan’s work either but a large part of why it was faced with such harsh criticism was not because the clothes were bad, but because they were not Jil Sander AND because he followed right after Jil herself.
I would argue there was zero vision to what the new designer coming from Bally put out, ugly to the max and way worse than Milan’s Jil Sander - While the Meiers basically did a lengthy love letter to Phoebe Philo and not Jil Sander. Like I said, I feel more insulted by those and they were never met with nowhere near as harah criticism.
And you point out exactly in a twisted way my issue with his criticism.
I think the word vision is starting to become a little bit like « icon » in fashion.
Because I feel like there’s this blurred line between vision and ego.
As his figure cannot be dismissed from Celine, for me, Hedi greatest move was his second collection for Celine. For me, he proved that his vision wasn’t consumed by his ego and that he could totally work with the ethos of the brand.
I would let Rider have the benefit of the doubt. Let’s say that his vision is Celine and not Rider. Michele is showing at Valentino that ego can hurt a brand.
Milan at Jil Sander wasn’t believable for Jil Sander. Maybe terribly inspired by Tom Ford at Gucci, he believed that all houses are at the same level. But no.
Me personally, I think about the ethos of the brand. Like you I was not a fan of the Meier or the Bally guy. But essentially, it was for two different reasons: one’s clothes were ugly and the others were surely too consumed by their ego to think about the ethos of the brand.
Jil Sander for me was clothes for active people. They just happened to be minimal. So when the couple is making contemplative fashion to walk in a monastère, for me it’s not Jil Sander anymore.
I hated when Hedi did the groupie at Celine. Because essentially, Celine is French bourgeois RTW. But in his body of work, nobody can blame him to have 2/3 more personal collections when he has preserved the ethos of the brand at last.
That’s why I give some grace to what Rider is doing. Maybe he will be one who works at the service of the brand. I hated RAF’s Dior because for me, he didn’t understood Dior. The same thing with MGC. But he made the best bar suit ever…So much that I bought it.