pivoslyakova
Member
- Joined
- Mar 14, 2012
- Messages
- 550
- Reaction score
- 3
i really love this collection, at first i didnt care but it looks so elegant and fresh!
to be honest,i think this very new territory for him. remember before jil sander,raf came from a strictly menswear background and with dior he's never dealt with having to design gowns and that frou-frou side of fashion. quiet and straightforward has always kind of been his approach. i think it's going to take a bit to develop a real voice in this endeavour. much like he did at jil sander which was obviously more up his alley.
Yes, I do agree..he seems to be very cautious, and when he experimented, it didn't always hit the "right" note, eg. the neon irridiscence. Galliano made Dior frou-frou, so it's a very difficult act to follow for RS. Still, he should take a look at how NG did it, remember the first sensational Balenciaga with the white frills that looked more punk than sweet? Otherwise, Lemaire's debut at Hermes was more tailored yet still avant-garde and really refined in the traditional, voyageur Hermes way.
At Jil Sander, he did the best collection at the last, Miu Miu's current "volume" collection is all RS's finale there. It's also more feminine than Jil Sander ever was, so it looked like he would transition smoothly to Dior. His first Dior couture was super, but there has to be evolution from the conservative 50s padded wasp waist thing. Perhaps it's personal, but I really dislike the big pink balloon debutante skirts with T-shirt tops of a different color. He looks like he's dressing Audrey Hepburn in Roman Holiday.
Ok, I still adore him nonetheless, it'll take more than one or two disappointing collections to change that!
i do recall that collection NG at Balenciaga. and even before that nicholas somehow carved out a niche for himself. it's interesting you talk about the tailoring and structure though because it is raf's bread & butter and it is something i hope he can employ more of down the line. but i like that he's trying to incorporate the real history of the house though....but maybe in a way that marries with his experimental side.
I really love this, I think this really captures the current moment with minimalism, getting much more bang for your buck and really focusing on true wearability but I think he's really defining aspects of the Christian Dior archive, I feel like he could really compare to Ghesquiere with how he revolutionized Balenciaga with his take on the archive there, I don't know why I'm saying that but I really have faith in Raf at Dior, more so than Galliano who really did get repetitive when he dumbed down his vision in favor of pleasing his bosses, whereas this is Raf through and through and I absolutely love it, because I don't feel Raf has dumbed himself down at all, in fact his genius is shining through.
I think Raf will really divide opinions during his reign at Dior.