The coats. Damn, she cuts and wraps a mean coat. Digging the drama here with the decadence, and even shades of 1990-Claude Montana silhouette. And that black-and-gold basket-weave coatdress is pure champagne-and-opium decadence; I can just envision that woman wearing this in her shimmering black-lacquered penthouse... Wished there were more of those.
It's always great to see veterans like Donna swerving to the left to shake her branding up on the runway, even if the overall presentation feels a tad like a crash.