Live Streaming... The F/W 2025.26 Fashion Shows
They needed the revamp regardless.I think they´d better focus to shoes, and forget the RTW...like Manolo Blahnik.
Salvatore Fer-Cameltoe.The luxury version of a camel toe!
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vogue.com
Oh it’s definitely far more sophisticated than anything Jacquemus has done both in terms of silhouette and fabrications. I think this is a more telling instance of the way younger designers currently approach their work, based on what they like, what they’re taught and the way things have shifted in fashion.I understand why @Cocteau Stone is saw elements of Jacquemus from this. I prefer Ferragamo's more sophisticated approach towards those elements though.
I don't know his taste level entirely, but his taste does come across as "good" because what they're strongly referencing is, by social media standards, considered tasteful/in good taste/cool so therefore tasteful. Very much a product of this time which is something we have to accept unfortunately. I think this actually feels more "cool" than Jacquemus as he has always felt very passe, like everything is surrounded by "yes" people with him so therefore the world has to say "yes" to it/him.I also don't agree that Davis has "good taste". A lot of this is so tacky and trashy. Those ombre dresses are straight out a Roberto Cavalli show circa 2005. Don't get me started on the menswear...
Jacquemus had 7+ years of lukewarm reception before "Les Santons" which made him do a 180. His "industry darling" status make his employees reluctant to criticize him, sabotaging him in the process. He lacks technical skills, but makes up for it in marketing and showmanship.Oh it’s definitely far more sophisticated than anything Jacquemus has done both in terms of silhouette and fabrications. I think this is a more telling instance of the way younger designers currently approach their work, based on what they like, what they’re taught and the way things have shifted in fashion.
Looking at this collection again, I actually think it would have been great to have Maximilian at Burberry. He has a bourgeois sensibility to him and I think (emphasis on I think) that could work with Burberry’s heritage. Gimmicky enough to create an aura in some places, but grounded enough so that the pieces themselves are very approachable. Plus, the colour palette of this collection is pretty much the same as the Burberry check.
I don't know his taste level entirely, but his taste does come across as "good" because what they're strongly referencing is, by social media standards, considered tasteful/in good taste/cool so therefore tasteful. Very much a product of this time which is something we have to accept unfortunately. I think this actually feels more "cool" than Jacquemus as he has always felt very passe, like everything is surrounded by "yes" people with him so therefore the world has to say "yes" to it/him.
Will wait and see and how the next collection or two goes to really see where he's at with Ferragamo.
Expectations were riding highest at Ferragamo, the 95-year-old Florentine shoemaker now helmed by former Burberry chief executive Marco Gobbetti and Maximilian Davis, a 27-year-old hailing from Manchester and the first black designer to cover the creative director position at the house.
In recent years, family-led Ferragamo has forfeited market share to bigger rivals, becoming a small fish in an increasingly large pond, and turning it around will be no easy task. Sales last year amounted to €1.14bn, still shy of pre-pandemic revenues. The family has urged Davis to be “risky”, he said backstage, and the show had the fizz of a major debut. There was a palace for a set, its floors and walls blanketed in an orangey red, and Ferragamo’s new, all-caps, ever-so-slightly-seriffed Peter Saville-designed logo blown up opposite the entrance.
In hiring such a young designer, the Ferragamo family is hoping to draw in a younger customer, but Davis designed for a range. There were bandeau tops and short skirts, sure, but the emphasis was on tailoring and the kind of sleek sportswear perfected by Michael Kors and Tom Ford. It was more vibrant and energetic than what came before Davis, but it did not thrill. And Ferragamo needs to thrill in order to cut through the noise of its much larger and better-financed rivals.