Gael García Bernal | Page 44 | the Fashion Spot

Gael García Bernal

Mega-young (possibly still a teenager):
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With Diego Luna:


And a couple more:

sources: senorbernal.com, gaelgarciabernal.by.ru


:heart:
 
hahha! that clip is hilarious!
random, but...does anyone know what the song is on the "deficit" trailer??
 
A: No, no - the last time I crossed the border, walking, I was asked, "Where do you come from?" And I'm like, "Well, I'm from Mexico." And they say, "No, where do you come from?" And I say, "I come from Mexico." I mean, what am I supposed to explain? And they say, "What were you doing in Mexico?" And I say, "Well, I live there." And they say, "No, but what were you doing right before you came here?"
:lol: :heart:

thanks for the overload of images, wheresmyumbrella!.

I want to see the deficit trailer. has it been posted yet?. my sister was at the screening of the film on sunday at the AFI Fest in L.A., she met Diego Luna but she never saw Gael.. nor the movie. :lol:

The pics on top of the page with the Once tag are not that old.. they're from a short film whose name escapes me right now, it was shot in 2003, I think.. I saw it last year. and it's really really bad.. it only got some attention because Gael's in it but the storyline and performances.. pretty disastrous.. I still don't understand some of Gael's choices.. like The King, Dot the I, this documentary or Vidas Privadas. they've been god awful and so overhyped just for the names involved.
 
:lol: :heart:

thanks for the overload of images, wheresmyumbrella!.

I want to see the deficit trailer. has it been posted yet?. my sister was at the screening of the film on sunday at the AFI Fest in L.A., she met Diego Luna but she never saw Gael.. nor the movie. :lol:

The pics on top of the page with the Once tag are not that old.. they're from a short film whose name escapes me right now, it was shot in 2003, I think.. I saw it last year. and it's really really bad.. it only got some attention because Gael's in it but the storyline and performances.. pretty disastrous.. I still don't understand some of Gael's choices.. like The King, Dot the I, this documentary or Vidas Privadas. they've been god awful and so overhyped just for the names involved.
The Deficit trailer is in post #812. :flower:

I didn't think The King was bad ... Dot the I, on the other hand. :sick: Maybe he needed the money?

And whoa ... he's an adult in those pics at the top of this page? He looks like a kid! What a cutie. :heart:
 
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^perhaps he accepts these roles out of loyalty or just likes to give it a shot to new directors and new ideas instead of well-known ones. sounds more like him. I don't know. I think the director of Dot the I is sort of related to CSSD, where Gael studied when he was in London.
 
Flickr art raid! :D

An artist named Rosa Murillo made a beautiful painting of Gael:
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source: flickr.com/photos/rosamurillo/

One from a graphic artist
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source: flickr.com/photos/fabisilver/

Another Gael stencil:
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source: flickr.com/photos/59012126@N00/

And the statue based on his character in The Science of Sleep:
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source: flickr.com/photos/studioloveeman/

:heart:
 
New article about Gael's film production company, Canana! :woot:

Mexican actors seek to revive country's ailing biz
Fri Nov 16, 2007 2:11 AM EST
By John Hecht

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MEXICO CITY (Hollywood Reporter) - Canana, which means bandoleer in English, seems a fitting name for a production company that has played a key role in the revolution of Mexican cinema.

Run by Mexican actors Gael Garcia Bernal, Diego Luna and producer Pablo Cruz, the Mexico City-based shingle is breathing new life into the nation's ailing film industry.

While some production companies here focus on shooting Hollywood-style features, Canana is keeping it real with socially minded stories that offer an authentic take on Mexico.

"We don't have studio dreams, we just want to focus on what's important," Cruz says. "Cinema is the only way to document what's truly happening in our times because the news programs are fake, the soap operas make no sense, and comedy shows aren't real."

"Cochochi," one of Canana's recent productions, is as real as it gets. Shot in northern Mexico's Sierra Tarahumara region, Israel Cardenas and Laura Amelia Guzman's drama features an indigenous cast speaking in their local dialect. "Cochochi," which follows two brothers on a journey to deliver medicine to a faraway community, won the Discovery Award at the Toronto International Film Festival in September.

Cruz and Garcia Bernal came up with the idea to form Canana in 2003 while flying from Spain to France, where the actor was to receive an award at Cannes. Back then, Cruz was running Barcelona-based production company the Lift. Both were enjoying successful careers abroad, yet they wanted to give something back to Mexico.

"We wanted to concentrate on the energy that was going around (in Mexico) and to put it into some sort of shape and make things happen," Garcia Bernal says.

A week after they agreed to put the wheels in motion, Garcia Bernal asked his "Y tu mama tambien" co-star and longtime friend Luna if he wanted to join the new production venture. Luna enthusiastically accepted.

Fast-forward two years to Los Angeles, where NBC Universal art-house studio Focus Features picked up worldwide rights to Canana's planned slate of features. Their first collaboration, Cary Fukunaga's Spanish-language thriller "Sin Nombre," is in production in Mexico.

Cruz oversees Canana's day-to-day operations. He maintains daily contact with Garcia Bernal and Luna, who must juggle their busy acting careers with Canana business. Under the Canana label, Garcia Bernal and Luna made their directorial debuts, Garcia Bernal with his feature film "Deficit" and Luna with the documentary "J.C. Chavez," which explores the life of legendary Mexican boxer Julio Cesar Chavez.

In addition to the shingle's current projects in Mexico, such as Gerardo Naranjo's upcoming drama "I am Going to Explode," Canana is co-producing pictures in South America. In March, filming begins in Paraguay on Marcelo Tolces' dramedy "18 and a Half Cigarettes." In June, in association with a Uruguayan company, production starts on Adrian Biniez's idiosyncratic romantic comedy "Giant."

On the distribution end, earlier this year Canana released "The Violin," a small Mexican picture that local distributors balked at because it was filmed in black and white. "The Violin" grossed one of the highest per-theater averages in the history of Mexican cinema.

Next up, Canana is looking to make its first foray into television production with "Ruta 32," an ambitious drama series that reportedly has drawn interest from MTV.
source: reuters.com
 
i adore him! i'm so excited to see him in defecit, and el pasado. does it come out in canada?
 
Am I the only person who didn't know Gael used to "date" Naomi Campbell?? :blink: I just stumbled across this tidbit while searching for photos. The age difference! The height difference! And although she's beautiful, she has certain personality ... ahem ... quirks. :innocent:
 
Super-cute article about Gael ... not sure where it was published originally:
Don't hate Gael Garcia Bernal because he's beautiful.

Hate him because he is beautiful as a man and a woman.

In Bad Education, Pedro Almodovar's labyrinthine film noir opening today in Dallas, Bernal slinks around in stilettos, a platinum wig and pomegranate lipstick, looking prettier than any of my high school girlfriends.

Hate him because, at the ripe old age of 26, he has become an international film star -- the Mexican Marlon Brando, earning critical hosannas for films such as Amores Perros and Y Tu Mama Tambien and faint Oscar buzz for his portrayal of a young Ché Guevara in The Motorcyle Diaries. Yet when he walks into Don Carter's All-Star Lanes in Dallas, there's no entourage, no bling. At 5 foot 6, wearing ratty jeans, a crimson hoodie and an impish smile, he looks more like a shy college freshman. Or a very hot hobbit.

Hate Gael Garcia Bernal because he is a deep thinker, an intellectual whose smart-guy glasses aren't just a front for some bubble-brained pretty boy.
Hate him because he talks with conviction about history, social change and politics, not Hollywood, Q-ratings and box office numbers.

And hate him, finally, because he is genuinely a nice guy.

I know I did.

In fact, I was about ready to kneecap Mr. Perfect with a bowling pin when I discovered one reason to truly love Gael Garcia Bernal:
The man had never bowled a game in his life.

-A lick for luck-

Lane 41 at Don Carter's in Dallas is a long way from Guadalajara, Mexico, where Bernal grew up the son of stage actors. Little Gael (pronounced Guy-EL) played soccer and appeared on a popular Mexican soap opera, but his only brush with bowling would come later in life, watching The Big Lebowski.

"I love that film," he says in lightly accented English.

We spend the next few minutes waxing poetic about the Coen brothers' masterpiece, the performance of Jeff "The Dude" Bridges, and, of course, Jesus, the hairnet wearing, tough-talking bowling virtuoso played by John Turturro.

Taking a cue from Jesus, Bernal hoists a pink 10-pound bowling ball and holds it close to his face, his tongue tickling the ball ever so slightly for luck -- and cheap thrills. Then he flings the ball down the lane, flashing near-perfect form. In his first frame ever, he picks up a spare.

My feelings of hatred resurface.

But like The Dude, I will abide because Bernal is fearless on the lanes, much like he is on the big screen. He hurls the ball with all that his 100-plus pounds will allow, much the way he throws himself into his characters.

In Bad Education, Bernal plays a triad of lost souls -- struggling actor, Catholic school student and transvestite -- that span the emotional spectrum, from innocent to evil, vulnerable to vengeful. As the desperate Zahara, a transvestite seeking revenge on a sexually abusive priest, Bernal is every inch the strung out femme fatale Almodovar wants him to be. It's an unnerving, unflinching performance -- the kind that may get Bernal mentioned in the same breath as Brando but also generates its share of controversy. Bad Education is Bernal's second film revolving around abuses in the Roman Catholic Church (the other was The Crime of Father Amaro).

"I like to destroy taboos," Bernal says of his film choices. "They actually attract me. Taboos are incredibly fragile and vulnerable, but once you get past them. . . . It's like smashing glass bottles of water, they make a great sound, but they don't have a complexity or a density."

Perhaps that's why he's in no rush to plunge into the Hollywood system. Bernal has gained acclaim -- and acting awards at both the Venice and Cannes film festivals -- without even making an English-language film. (He is working on his first, an American independent film called The King; he even plays a character named Elvis.)

For now, though, Bernal is embracing his relative obscurity.

Midway through our game, he suggests donating $100 to charity for every pin he knocks down, but then jokes: "I haven't done a studio film yet, so maybe you'll have to donate the money for me." (Obviously, he doesn't know what journalists make.)

But Bernal doesn't shrink from the prospects of lofty achievements. Unlike most actors, he allows himself to muse about what an Oscar nomination for Motorcyle Diaries would mean.

"Ah," he says, eyes widening, "that would be incredible. Lovely.

"But really, there is no way to judge who is the best when it comes to acting," he adds. "Acting is interpreting reality out of fictitious elements. So there really is no democratic way to judge."

As I ponder that bit of wisdom, Bernal hatches an idea that could change Hollywood -- and, more important, my career -- forever.

"We could bowl for it," he says of the coveted Academy Award. "That would be a more fair way to decide things. A true competition."

Just the thought of it, however ridiculous, makes my heart race.
Bowling for Oscars. Beautiful.

When I suggest Bernal would have to improve on his final score -- an erratic 70 that mixed near-strikes with a cluster of gutter balls -- he flashes a little of his famous on-screen intensity.

"If that were the case, I would approach bowling like I do acting. I would study it, and I would prepare," he says, "and I would win."

Hear that, Johnny Depp and Jamie Foxx? Better get yourselves a copy of The Big Lebowski.

FINAL SCORE
GAEL: 70
RICK: 167
source: gaelonline.com
 

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