Personally, I prefer the Margot Robbie cover even though it is not perfect. I also do not find Robbie forgettable at all. She is gorgeous, has great on-screen and red-carpet presence. Robbie is also talented, likeable, and very photogenic. She is current and relevant.Never can tolerate most of the Hollywood dollies polluting French fashion publications— especially when France has so many cooler and stylish stars, while American ones like her are so reliably forgettable. It’s no wonder why someone like Demi or Sharon just shine when they’re on the covers of a fashion magazine nowadays: They just don’t make them like they used to.
Awful cover select with its sad, homely DIY vibe, made more awful and sadder by that hideous sweater that looks like a something typical of the local knitting club’s conjuring. Very Knitter's Digest. The days when an August issue looked and felt like such a new vibe for the anticipation of a new exciting Season seems a long lost art form.
This US Elle issue still has its hold on me to this day from when I first was spellbound by in childhood, remains the standard to this day: Personally and professionally. They really don’t make them like they used to anymore. Sadly.
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Elle
Totally agree with you regarding the issue! Though, I do love the Robbie story as well.^^^ Finally looked at the issue, and it’s very good. Her story is the weakest link of an otherwise strong issue; one that’s more akin to a September issue with all the new Seasons previews of the fashion stories. Solid content, from fashion to feature. It’s the only mainstream publication that matters now.
Besides, Margo, there are feature stories of Marie Laure de Decker, Julien Dossena, Julia Ducournau, Charlotte Cardin, and Suki Waterhouse. Olivier is the most worthy editor, and Franck is the strongest CD working right now in any fashion publication. That plaintive Corinne Day/Juergen Teller/Terry Richardson aesthetic is an acquired taste, and if people need the OTT glam of the 2000s, then they’ll always hate this. But the Numero Berlin x Emmanuelle Alt late-80s sportwear sensibility married with the easiness, non-fussiness of mid-90s minimalism works for you— and it works for me, along with that utilitarian sellsheet-style typography of the art direction, then everything just comes off so effortlessly.
It really is what Samira’s Bazaar could have been had she managed a remotely strong team to back her. Olivier took her concepts and ran with it to great visual success.