I'm literally watching Beasts of the Southern Wild as I write this.
OMG, this is one epic film. The performances are just incredible, especially considering Wallis was 5/6 when she filmed this and Dwight Henry was a baker with absolutely no acting experience beforehand. I also love all the amazing imagery and the magical, fairy tale element to it all. Ultimately--in my opinion anyway--we're seeing a child coping with
the impending loss of a parent . I like how Zeitlin has described it in some interviews, saying something to the effect of what would you do if you broke the universe or the world was coming to an end? Emotionally, Hushpuppy's world is coming to an end
because her father is dying and he's all she's ever known, and on some level, in her innocence she blames herself for it.But even though the end is not a happily ever after or typical Hollywood, it's uplifting in that you get the sense that she's going to be alright. She still has her community and the strength her father has cultivated in her. Also, the score is just distilled perfection in a bottle. I cannot believe it wasn't nominated.
Anyway, it's my second favorite of the year behind Cloud Atlas, and I do wish that it actually had a chance to win something on Oscar night--like score!--but I suppose the nominations for Benh and Quvenzhane will have to suffice.
That said, I tend to agree with the consensus. Argo is pretty incredible; Zero Dark Thirty: not so much. It's definitely true that Argo is amazingly suspenseful despite most audience members, myself included, going into the theater already knowing the ending. And as much as I would rather have Zeitlin be in Affleck's place, scooping up all the awards, I don't think the latter is totally undeserving. He's consistently proven himself a rather adept director, going from strength to strength. But I agree: Argo is far from the best in its lineup. Crossing my fingers for an upset, but given the reaction to Affleck's snub, it looks like this is going to be his consolation prize.