The Red Carpet Highlights of... The 78th Annual Cannes Film Festival 2025!
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He's actually been in the know with both Zara and the Ortegas since his Loewe stint: Narciso Rodriguez Opens His Archive for a First-of-its-Kind Zara CollaborationThis collection is so unexpected that I think Marta might be a Narciso fan, customer or friend in the first place.
He's actually been in the know with both Zara and the Ortegas since his Loewe stint: Narciso Rodriguez Opens His Archive for a First-of-its-Kind Zara Collaboration
Great! At this at this point, I need to manifest things to happen…
As Haider for Hermès or Givenchy doesn’t seem to be on the way..
Haider Ackermann for ZARA!
While I do very much enjoy watching a Haider Ackermann show and liked most of his work at Berluti, I don't think his name deserves to be up there as the first choice whenever a big brand is on the watch of a new creative director - He is one of those designers with a long track record of beautiful shows and yet hasn't managed to turn that momentum into recognizable and commercially successful product.
My support for Haider comes from the fact that of course, he is talented, can make beautiful clothes and knows his craft but also because I never had the feeling that he had all the infrastructures in place to develop his voice or even his own brand.
And it’s same thing with my support for Lutz.
It’s one thing to have the talent but without the great strategy to support the talent or take it to another level, quite difficult to do things. And one of the reason I like him is because he does mature fashion. I respect talents like that. I wouldn’t give him Chanel or Dior tho.
It’s a bit the same for Narciso. What he does is extremely mature while timeless. His amazing fragrances however supported his structure.
He definitely enjoyed the support of Anne Chapelle but compared to Ann Demeulemeester, the brand wasn’t really mature by the time Anne decided to « give him his independence ». Haider’s hype was build in a slow but healthy way but his breakthrough came quite late and when the hype was at it high maybe they didn’t expand enough.Haider enjoyed the support and production infrastructure of Anne Chapelle's 32 bvba fashion group for more than a decade, during which his collection was stocked by all the major retailers till the very end. I'd assume he generated more buzz than the much-bigger Ann Demeulemeester brand, so I'm not exactly sure he was much limited to incubate his vision to it's full potential - If anything at all, he didn't manage to back up his vision with a solid foundation of products that continuously sell, as Ann Demeulemeester or Rick Owens would.