Tom Ford After Tom Ford…
The quick departure of Peter Hawkings, Ford’s handpicked successor, begets the question: Without the founder’s obsessive control and inimitable taste, what’s left?
After breaking the news of Tom Ford creative director Peter Hawkings’ exit, Puck fashion correspondent Lauren Sherman drills down on what went wrong (Hawkings’ proposition for womenswear was “essentially a neutered version of the Tom Ford and Gucci archives”) and what’s to come for the brand
Two months ago, I got a tip from a well-placed source in Milan that
Peter Hawkings, the creative director of Tom Ford, was
out and that
Hedi Slimane, designer of Celine, was
in. The Slimane detail seemed far-fetched to me—he’s too expensive, among other things—but I wasn’t surprised to hear that something was afoot at Tom Ford, which the designer and
Domenico De Sole had sold to Estée Lauder for $2.8 billion in 2023. It was just a week earlier, after all, that
Ford, himself, had worn an
Anthony Vaccarello-for-Yves Saint Laurent velvet dinner jacket to the Met Gala—a not-so-subtle dig at Hawkings, a protégé who had designed menswear under him for nearly
25 years, dating all the way back to his days at Gucci. Ford had also
handpicked Hawkings to succeed him to design his fashion collections.
My source was half right. A year after Hawkings got the job, he was fired, as I reported on Friday. The news was officially announced on Monday before the opening of the U.S. markets, where both Estée Lauder Companies, the owner of Tom Ford, and Zegna Group, the operator of its fashion business, trade publicly. Unfortunately, the
press release didn’t offer much besides the usual pablum about a “successor” being named “in the near future.”
I’m told that a new designer has already been chosen, but I can’t confirm whether the contract has been signed. (We all know these things aren’t official until they’re official.)
Read the full story at the link in bio.
https://puck.news/chinas-muted-passion-for-fashion-hits-lvmh-kering-earnings/