I think that watching it on a screen is more impactful than experiencing it on live because it’s not on a closed space.I felt hypnotized after watching. It would make an amazing segment for one of those historic Hollywood productions but for a fashion show its too monotonous. I can imagine being in the crowd.
I agree with this, he's commercialized the brand and Tyrone acts like he's a mascot when, truly, he's a distraction.He is to busy f*cking Tyrone to care about actually designing an interesting collection...the way he used to before meeting that guy (Tyrone is a bad influence for Rick).
relax buddy..Mesopotamia, Rome, Egypt, the fall of England, the French revolution a feverish high pitch before it All falls down this is brilliant show not much clothes to look at but then again I'm not a big fan of his clothing but it's very interesting but what a fantastic show very dark without dark colors society building society's falling this is a brilliant show good job. We are living in an extreme world of The haves and have nots how long will the have nots, not have? In any which way people will always worship other people even with their gods the Christianity, Islam, Judaism people will always worship the rich and the powerful. A great show like this in this binocular should always make you think. As pure fun and powerful as well. I hope to see more people in this thread dissect it what a great show
is this true ?there is probably something to critique about whatever 'political' statement is being made here considering he once punched one of his muses/models in the face for making a very direct and unambiguous statement. 🤷♂️
Thanks for this, i didn't know his team. It speaks well of him that his whole team stays on course.nytimes
dafne
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the atelier team consisted of three from day one there. rick as designer and patternmaker. the assistant designer dafne. and the sample maker richard. he was going stay there as he wanted to keep separated from NY and paris.
"fantasy is unnecessary to menswear. I'd like to avoid these two images: feminine man and dandy man. I don't like them. I think menswear should be simple, masculine, and functional. just like military surplus." his statement from 2002 early summer tokyo
he doesn't have to be consistent of course. to live is to be dissimilated gradually. otherwise encounter would be meaningless.
but seems like time to leave paris now. hanging about with industry customs could exhaust you. invent your own business model. like alaia. like ccp.
to make up much ado about vanity to generate big money. or to devote yourself to creation.
margaret howell, for example, doesn't have to make things like concept cars. if veronique nichanian shows something very aggressive, she may be scolded by customers. but rick has to commit aggression against those customers and show what they don't want. he must not be innocuous. and he has to be artistically priestly as his big fan tends to be like laity rather than customer. this should be exhausting if he is sober really.Thanks for this, i didn't know his team. It speaks well of him that his whole team stays on course.
If you don't mind, can you elaborate on the bold part? I always feel he wants to be a megabrand but in his own way. But I don't know much about RO.
In truth, it's probably the other way around. He does 4 shows a year, featuring mostly non-commercial designs often held in Palais de Tokyo. That's a hefty expense for most independent labels, even relatively larger ones like Rick Owens.He does shows like this so he can sell stuff like this for 2000€ :
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hmm i dunno, he still has a lot of basics that are quite well priced. And quality is amazing. besides id rather go for that than burberry for example.He does shows like this so he can sell stuff like this for 2000€ :
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