What I admire about Daniel Roseberry is that, despite being a relatively young designer/couturier, he still embraces a traditional approach to creating.
He sketches with pen and paper, something that already feels like a lost art in today’s fashion world.
And what’s even more impressive is that he does it all himself, no right-hand, no design team assisting him at that stage.
Just him, his ideas, and the paper in front of him.
From what I’ve seen through various behind-the-scenes and savoir-faire content, he’s deeply involved in every step of the creation process, from ideation to construction, especially when it comes to how each gown or look takes shape.
Over the past few years, I’ve noticed that his collections are becoming more and more wearable. Even when certain looks might appear “unrealistic” at first glance, I can still imagine how they'd work when tailored to the body of his clientele.
That balance between imagination and execution is what makes his work so exciting to watch.