tigerrouge
don't look down
- Joined
- Feb 25, 2005
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Photo credit not provided by Tatler at the time of posting this.
Live Streaming... The S/S 2025 Fashion Shows
As I live in UK I sometimes flip through this magazine when I see it in store. It is literally everything I hate about this country. It’s not just the lack of taste but also the way it ironically reflects the underlying class anxiety in British society - which many people here pretend that it doesn’t exist.
Somehow in order to do that relatively stress-free, they need to court public opinion, its approval and that unleashes a very costly, publicly-funded machinery of public image, campaigning, shaking hands as a job, the battle of visibility and who's visible and when, putting out stories through 'close sources', all to constantly stimulate public interest. People don't act in some unfair or callous way by responding to this stimulus and doing what is never a part of the plan but certainly comes with the trade-off: asking questions and speculating, relative to their sociocultural level and the marketing around them. The idea that some characters are more honorable and deserving of privacy, while others in a similar environment deserve to be viciously denigrated, or that opinion should be limited as we deem their appearance on a cover relevant enough to generate discussion just shows that illusion, their one reliable product to sell a sense of stability and identity, works like a charm, and that if only people mirror them in their advertised 'discretion' and solemnity towards their regime and values, that it is possible to decorate themselves with some of their prestige, because they understand the complexity of their pedigree, and that they should look, but only with empathy, never criticism. Not that different from the wishes of anyone in show business.Because the world is full of public figures who supply no end of drama, it can be easy to think of the Royals as another branch of show business, when royal life is an incredibly regimented and frequently tedious state of existence that involves someone living in a palace while simultaneously choosing to wear the same overcoat for fifty years.