Last two editorials are quite nice. I don't understand the appeal of Lola Nicon and don't think I will, she is just so average to me, and here she looks like a rejected cheaper version of Daphne Groeneveld for Versace circa 2011.
I do enjoy Elizaveta and some new photographers, but I seriously hope they do change it sometimes, because Pavarotti and Porodina start to blend for me all into one, like a long, never-ending editorial. The thing with the titans is how they are able to switch concepts and adapt their style to it, but these two seem to repeat it over and over again. I think the majority of contemporary photographers should learn how to be more flexible, or otherwise they will last 2-3 years like Harley or Petra and will be chewed out for the next more exciting thing.