The Return of the Supermodel?

[nastassia]

I find it particularly interesting to compare this cover to the previous multi-models cover American Vogue had had...

pinterest.com

 

[zacatecas570]

I'd not call them supermodels but I'd say that they are top models that still work and are becoming kind of exclusives like: Natalia, Gisele, Isabeli, Karolina, Karen (From the first cover) Sasha, Doutzen, Raquel, Caroline (Second cover ) and Natasha and Lara (Third cover)
They keep landing major magazines covers and blue chip ads.

fashionisto

 

[Benn98]

From the above cover, I'd say Anna Maria Jagodzinska, Isabeli, and Caroline current status don't match the rest of the girls. They don't have the same longevity as the rest of the girls. And from the cover above this one, definitely Hana Soukopova.

 

[zacatecas570]

I'm just going to add the other 2 covers

themodelofficial.com / thesocierymanagement.com

 

[congacon]

daria, Giselle and Natalia combo is just outstanding. nothing come close; it screams supermodels.

 

[alonsoJonathan]

daria, Giselle and Natalia combo is just outstanding. nothing come close; it screams supermodels.

you can NOT be serious comparing Giselle THE supermodel with Daria and Natalia.

 

[congacon]

you can NOT be serious comparing Giselle THE supermodel with Daria and Natalia.

when/where did I compare Giselle to daria or Natalia?

 

[FashionMuseDior]

Joan Smalls, Karlie Kloss, Liu Wen, Cara Delevingne, Kendall Jenner, Gigi Hadid and Bella Hadid are this generation's supermodels.

 

[apple]

Joan Smalls, Karlie Kloss, Liu Wen, Cara Delevingne, Kendall Jenner, Gigi Hadid and Bella Hadid are this generation's supermodels.

Yup! I strongly agree with you. These girls have what a supermodel of this generation requires according to me: a solid high fashion career (often mixed with a special relationship with a certain designer and/or photographer), different international covers, commercial work, a beauty contract, they are generally known to the public and popular on social medias (yes I consider that a requirement for a supermodel nowadays), they have worked on other projects such as their own collections,tv shows, acting.
Jourdan Dunn could have been part of the group too. I wish she had a similar career to the one of these models, she had all the potential to make it and she is also quite famous, a lot of people know her. Somehow she has been fading tho, which makes me in doubt about considering a supermodel of this generation too.

 

[1127]

What about the "next supermodels" that Vogue "predicted" were going to become the next top models of our era? I have to admit, I have a soft spot for this particular generation: Hilary Rhoda, Coco Rocha, Chanel Iman, Sasha Pivovarova, Doutzen Kroes... <3 It's like they all graduated super model high school together... and this is their prom picture, like I think Coco Rocha said.

Oh, I really really miss Agyness Deyn...
Still have this issue in my drawer.

 

[Urban Stylin]

Joan Smalls, Karlie Kloss, Liu Wen, Cara Delevingne, Kendall Jenner, Gigi Hadid and Bella Hadid are this generation's supermodels.

Kaia also seems set to join this group

 

[panthereose]

They've called it pretty well. I think Gigi, Kendall and that clique will dominate for the next few years.

 

[MillerJoe]

Most of them smoke and have tattoos

 

[magsaddict]

realistically, any model with a slight media profile is christened a supermodel nowadays, so i feel like the term doesn't carry the same power as it did 20 years ago. I mean, some of the models the media calls supermodels are utterly ridiculous.

 

[MissMagAddict]

Soon, the most beautiful people in the world may no longer be human
by Peter HolleyAugust 8 at 1:22 PM

In the hypercompetitive world of modeling, fateful discovery stories are part of the industry’s lore.

Gisele Bündchen was eating at a McDonald’s in southern Brazil when her life changed forever.

Natalia Vodianova was selling fruit at a market in Russia, and Adriana Lima was spotted at a shopping mall at age 13.

But what if major companies and fashion brands didn’t have to rely on chance — be it a fluke encounter or scrolling through strangers’ Instagram feeds — to find the perfect face for their products?

Cameron-James Wilson maintains that some of them no longer need to.

The 29-year-old London-based photographer is the creator of Shudu, a striking Instagram model from Africa with more than 130,000 followers.

Despite her entrancing beauty, Shudu is a purely digital being, a fact that Wilson revealed after Shudu’s image went viral, ending months of frenzied speculation about her origin this year.

Shudu has been called “the world’s first digital supermodel,” and the obsessive fawning over her lifelike features provoke suggests she won’t be the last.

She arrives at a time in which Instagram, Snapchat filters and photo-editing apps that rely on artificial intelligence have blurred the lines between reality and fantasy, turning ordinary people into paintings or delicately featured digital avatars who preen for “likes.” This summer, Time magazine included a mysterious digital avatar turned style icon named Lil Miquela on its list of the 25 most influential people on the Internet. Miquela — who was being managed by a computer software firm in Los Angeles at one point — has 1.3 million fans. They dissect her online musings and fashion choices and treat Miquela’s implicit artifice like an afterthought.

Virtual models such as Lil Miquela and Shudu are just the beginning of the avatar revolution, some industry observers say. As people grow increasingly comfortable with these manufactured online identities, some brands see an opportunity to capitalize, Wilson said.

“There’s plenty of models out there, but it’s hard to find somebody who is truly unique,” he said. “A 3-D model can’t walk down a runway for you, but they can be digital spokespeople that help you shop or serve as the face of your customer service.”

But brands are picky, Wilson added, and they “want someone that nobody else can have.”

Manipulating digital images of real humans has already been blamed for perpetuating unrealistic beauty standards, which begin to affect children as early as 5 years of age, according to experts. Now some fear an incoming wave of digital models will put even more pressure on people, particularly women, to live up to an extreme, synthetic version of beauty.

Wilson — a fashion photographer by trade and an avid gamer at heart — created models that have dark skin, feminine curves, fine wrinkles and realistic stretch marks, details he added to promote diversity and embrace natural beauty. He recently launched “The Diigitals,” an agencydevoted to his growing roster of virtual models, at least one of whom appears to be extraterrestrial.

Wilson said his models appeal to the “luxury market” because of the cost and time it takes to produce a 3-D avatar. A single model can cost thousands of dollars and require hundreds of hours to produce, with Wilson laboring over minute details that bring his models to life, such as stray hairs and eyes that reflect light.

“Do I think 3-D models will impact editorials and put human models out of work — no, not really,” he said. “It’s a completely different space.”

But a British company that launched in April is already marketing itself as an alternative to human models. Irmaz Models calls itself an “Imagined Reality Modeling Agency.” The company’s website says its designers can “make faces to fit” any marketing campaign. Another advantage: Digital models “never argue, need to eat, throw tantrums or get tired,” the company notes.

“Brands can specify the look they’re exactly after, down to the race, gender and hairstyle,” Philip Jay, a former Playboy photographer who founded Irmaz Models with Irma Zucker, told CNN.

Kelvin Boon, the owner of Boon Models, an agency with branches in New York and the District, said he sifts through a daily stream of modeling portfolios in search of “quality models.” Aspiring models don’t always resemble their photos, he said, and those that do often require training before they’re ready for professional work.

If credible-looking digital models emerge, he said, “it’s going to affect the industry a lot.” Why, he asked, would a brand spend thousand of dollars to hire models and photographers for a single photo shoot when you can hire an artist to create images for far less?

“People don’t connect with images that resemble cartoons,” he said. “But if avatars begin to look like real people, it’s going to take a lot of power away from modeling agencies. Brands will only need human models for promotional events and walking the runways, and that’s pretty much it."

Others, like Wilson, believe we might see a hybrid system in which models and celebrities license out their digital avatar, allowing them to book multiple appearances simultaneously. A model might appear at a New York fashion shoot in person, but their digital avatar would be in China promoting a movie using the local dialect.

Renee Engeln, a Northwestern University professor and psychologist who studies body image, told CNN that there is a troubling downside to normalizing digital models. Critics of the fashion world have long accused the industry of foisting unrealistic expectations upon the public, particularly women. Engeln said digital models could exacerbate that trend.

“There is no world in which this is good for women’s health,” she said. “To know that women are going to be comparing themselves to women who . . . are literally inhuman strikes me as some kind of joke that isn’t very funny.”

Lil Miquela is 19 years old, lithe and freckled, with full lips, flawless skin and a studied nonchalance that radiates cool. She already hawks merchandise from brands such as Maison Margiela and Prada, as well as promoting Hollywood movies, a luxury hotel and Barneys Beverly Hills. On her Instagram feed, posts highlighting niche designers and streetwear fashion are interspersed with posts drawing attention to social issues such as police brutality, homelessness and the Trump administration’s child-separation policy.

Lil Miquela doesn’t hide her virtuality, and her appeal comes from this perceived authenticity, making her attractive to brands, according to Jerry Lu, an investor at Lux Capital who writes about frontier tech. To her followers, Lu said, she is real, even if she lacks physical form.

“You have a population of millennials and Gen Z and who are becoming super fluid with their identities, especially online,” Lu said, noting that some young people have multiple Instagrams for different facets of their lives. “Avatars represent this fluidity of persona, and companies are beginning to realize that having avatars built into their social networks is a useful way to connect with their audience.”
source | wapo

 

[Bertrando3]

Shudu indeed may lead the next step in fashion and advertising photography AND I love how she looks but we will always need emotion and great supermodels to make ads and covers and runways live. The only sad thing is that the generation of instabrats can´t hold their own in front of their peers who are 20-30 years older than they are.

 

[dior_couture1245]

I'm always puzzled by people who constantly are pushing for technology that replaces the function of humans. Do they want all of us to just sit on the couch for the rest of our lives?

 

[Runabout]

realistically, any model with a slight media profile is christened a supermodel nowadays, so i feel like the term doesn't carry the same power as it did 20 years ago. I mean, some of the models the media calls supermodels are utterly ridiculous.

I'm blaming the "celebrity" factor that's being played on the industry. It's unbelievable...

 

[dontbeadrag]

Current popular models like Kendall and Gigi are okay, but nowhere near having some class or wit of former stars.
Unfortunately, I feel like the only supermodel we have in 2019 is Supermodel of the World, Cover Girl - RuPaul, haha

 

[perfect blue]

We'll probably never get that era back again.