Thefrenchy
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Presentation held at the Baryshnikov Center.
LYOKA-TYAGNERAVA.TUMBLR.COM

LYOKA-TYAGNERAVA.TUMBLR.COM
vogue.comPreview - Spring 2012
“We really wanted it to feel like a breath of fresh air,” says Ashley Olsen, referring to her and her sister Mary-Kate’s spring collection for The Row. As such, they’re using featherweight, almost sheer fabrics in every shade of white with hints of pinks and blues. They’re still working in their loose, slouchy silhouette and have designed the breezy tanks, soft jackets, and full-leg pants to be layered judiciously. “Ethereal” is a word that comes up often.
There’s no sign yet of the influence they took from Nick Cave’s wild, over-the-top sound suits they saw at the Seattle Art Museum over the summer, but do look out for additions to their growing accessories collection—two new bag shapes (flat and doctor style), plus travel wallets, iPad cases, and oversize square sunglasses.
was this a presentation or a runway show. i know on the fashion calendar it was listed as a presentation but the preview shot seems like it was a runway show..
excited to see this as well.
The Row RTW Spring 2012
Against the soaring corrugated-wood walls of Cary Hall in the DiMenna Center for Classical Music, Mary-Kate and Ashley Olsen showed a breathtaking collection for The Row, one that dripped with adult elegance. “It’s grounded,” Mary-Kate said. Perhaps so, if in one of those fashion oxymorons something so mesmerizing can be grounded as well. In contrast to fall, which was piled-on darkness with a comic streak, this featured detailed tailoring played against gentle lines for a fusion of ethereal calm and clinical strength. Infiltrating the palette of various whites, the only hints of color were the pale blue overlays and a watery jellyfish print on silk pajamas.
more:http://www.wwd.com/runway/spring-ready-to-wear-2012/review/the-row
Against the soaring corrugated-wood walls of Cary Hall in the DiMenna Center for Classical Music, Mary-Kate and Ashley Olsen showed a breathtaking collection for The Row, one that dripped with adult elegance. “It’s grounded,” Mary-Kate said. Perhaps so, if in one of those fashion oxymorons something so mesmerizing can be grounded as well. In contrast to fall, which was piled-on darkness with a comic streak, this featured detailed tailoring played against gentle lines for a fusion of ethereal calm and clinical strength. Infiltrating the palette of various whites, the only hints of color were the pale blue overlays and a watery jellyfish print on silk pajamas.
Most fabrics were ultralight — chiffons, linens, languid silks — with the essential weight coming in a few stiffer materials such as the gazar used for the show-closing (and showstopping) caftan, smartly shaped in front; and macramé trims and dense encrustations of opalescent buttons and shells, inspired by the work of artist Nick Cave, whose Seattle show the designers saw last spring. Perhaps more than anything, it was this rendering that showed their maturity, as they embraced his message of protection and use of found objects, but not a bit of his flamboyance, delivering instead a statement of the chicest kind of comfort.