Nope, I don´t like it. The costumes for "Mars Attacks" are way better!^^^... But did you like?
Fantastically absurd and wickedly inspirational— maybe even aspirational, in all its archaic deadpan, mundane, conservative foundation. It’s what the laziness of currentday Comme, Duran’s Gaultier and Glenn’s Margiela wishes it could conjure. So much bespoke, couturey chaos, brimming alongside its classic references— and all on a cast of creepy adults styled as the even creepier cast of children from The Village of the Damne: Debra Shaw finally being cast in worthy show of her presence. How this is for spring/summer is hilariously unconvincing, but who cares when the absurdity of distorted, warped sizing/proportions/ silhouettes are so well— and maddeningly executed.
Preppies in Wonderland.
If I don´t like the final outcome, I don´t care about the craftsmanship.^^^ That’s too bad, Jean Claude. I thought you’d al least appreciate the craftsmanship.
It's monotonous, prolonged, and even tedious with his demented Tim Burton Mayflower blueblood preppies on another alternative excursion— reminding me of Marge Simpson’s 101-ways-to-recut-a-Chanel-suit episode, and that none of these look will make it to retail, but still-- that sophisticated level of excellent (de)construction is all but rare these forlorn fashion days. You know, back during TIFF week at an event, there were these film industry gays and their middle-aged beards seriously swooning over… Christian Siriano… And that reminded me that the vapid casual fashion fans with no discernible opinion really really really believe that someone like Christian Siriano is high fashion glam royalty. And this just makes me appreciate a delirious talent like Thom so much more.
To me, designers from the States are often overlooked and criticized for NoT being AMeRican SPOrtweAR enOUGh, except for Rick and Ford. Genuinely, the number of American designers I like is significantly higher than the ones from Italy or the UK lol.I am not really into the "give him Ferragamo", "give her Loewe" applied to independent designers.
I think independence and freedom are underapreciated, and usually seen as a step towards the pinnacle of the corporate world.
I disagree completely with that vision.
But Thom Browne is one of the few independent (maybe the only one) where I would love to see his take on a house with very old codes, like Balenciaga or Chanel.
I think he is one of the really greats in the United States and always enjoy his shows.
This was no exception.