I don't mind the hair and make up and don't know that styling it more messy would do anything to make this modern.
The problem is the clothing.
It's garish and dated. It's more of the same from him. The satin/silk cargo. That shade of green, blue, purple and rose gold throughout that reference his iconic Gucci days but don't improve upon.
Very basic and tacky. I actually feel as though Tom has never really gotten his footing at his namesake in terms of women's rtw.
The men's looks are best here.
I must admit I do too… Even if that doesn’t stop me from buying or supporting him.
The concept for his menswear was clear and directional from the start. At the time, it felt so decadent and over the top (i remember when it arrived at Colette, it was a very surprising offering). With time, it has evolved into something maybe less precious and outrageous but still luxurious and I think relevant to the lifestyle of his clients…
I think he was less confident with his womenswear…And he has expressed it a couple of times in the press. His earlier collections were very precious and eveningwear oriented at a time when women became more minimal and casual. I still got some fabulous pieces from his earlier collections but it’s not really stuff you wear at work or everyday…
FW2012 was really the collection that for me felt modern and quite in tune with what the idea of Tom Ford can be for today or that time (it has aged well too).
But I feel like he struggle with his glorious past and his heritage. His work is still copied to this day and for a while it seemed like he tried to distance himself from that…When someone like Hedi never apologized for doing the same thing.
I still think he needs to change the stylist because we know how a stylist can be important in his creative process.
Here we have him revisiting his own work with the same stylist he had back then. And the problem is that, instead of feeling fresh, some proposition feels done.
The red velvet suit with an oversized jacket and Capri pants is fresh IMO but the shirt situation Carine did does not add anything new to the equation.
Like it or not, nobody can deny that MAS pushes Nicolas’s creativity. These days, it’s overwhelming but at least it’s creative and we see the intention to push fashion.
I don’t think Carine add a fresh POV to the equation.
I think Tom needs to work with someone who will reconnect him with the kind of women he is designing for or at least we are associating the brand with. Tom Ford for people still means a certain idea of formality…Even if at Gucci he did jeans, g-strings, tshirts, cargo pants and sweatpants.