Andrew Bolton, the Met’s chief costume curator, attended the show with Anna Wintour, and has been meeting with Kawakubo about plans to be the subject of next spring’s Costume Institute exhibit. Apparently she has given her approval. But the Met still has to announce it.


).. but she'll probably give us an unwanted history class...^^^ But she's Rei.
No matter how difficult she may be, she is a legend to legends. There are a handful of designers who are beyond mere high fashion, and she’s the leader of that pack.
I hope they dont forget Comme’s menswear, but it'll likely be neglected— understandably. Or at best, just serve as an accent for the women’s. If it gets the equal attention (that it deserves) as the women's, then that’s a generous treat for the Comme addicts and admirers.
Just that Rei doesn't say yes to every Tom, Dick and Harry. In fact, imo her work is almost too sacred to be oohed and aahed by the likes of Kate Hudson and Selena Gomez. She'll most likely lay down the terms, which is not something Anna and her posse are used to. You really ought to watch that Met-China documentary. They enlisted a group of famous Chinese co-chairs for consultation purposes, Wong Kar-Wai, Wendi Deng among others, who steered them into a certain direction, and they preceded to do exactly the opposite.
.. but it is a lot trickier when you're trying to capture a whole culture so to speak, we all understand our own culture according to experience influenced by region, class, race, all these complex things, so you're always going to push some sensibilities, and of course if the interpretation comes from foreigners (especially US/UK institutions, which tend to completely infantalise cultures), yeah, I can understand. Ultimately, you have to consider it is just an exhibition on attire, the nature of that specific fundraising gala is to reach out to the most commercial outlets, which means many elements of entertainment/show business. Wong Kar-Wai was aware of this and kind of just limited himself to discarding the extremes. Andrew did a good job... and being honest, as questionable as many of her actions are, Anna frequently features Comme des Garçons in her magazine and usually makes sure they're good stories (good story and American Vogue? what am I talking about, I know, but they happen from time to time!). Well she said yes to H&M, which is bottom of the barrel really. And then you have Play. There's definitely a side of her where either no **cks are given and/or she uses it to sustain her own label (yeah right..).
I saw that documentary the other day.. Wong Kar-Wai's expressions are priceless.. but it is a lot trickier when you're trying to capture a whole culture so to speak, we all understand our own culture according to experience influenced by region, class, race, all these complex things, so you're always going to push some sensibilities, and of course if the interpretation comes from foreigners (especially US/UK institutions, which tend to completely infantalise cultures), yeah, I can understand. Ultimately, you have to consider it is just an exhibition on attire, the nature of that specific fundraising gala is to reach out to the most commercial outlets, which means many elements of entertainment/show business. Wong Kar-Wai was aware of this and kind of just limited himself to discarding the extremes. Andrew did a good job... and being honest, as questionable as many of her actions are, Anna frequently features Comme des Garçons in her magazine and usually makes sure they're good stories (good story and American Vogue? what am I talking about, I know, but they happen from time to time!).
Going into the trajectory of a designer is much easier, and especially with Rei, who has such a rich legacy. I mean, they found a way with McQueen..
I think, to foreigners, the Chinese can come across as very correct! Probably more correct than a Victorian Brit. But you could certainly sense that he didn't agree at times with what went down there, the incessant scratching of his head, stroking of his chin. Very telling! I felt sort of sorry for him at times. And I personally don't know why Andrew and Anna didn't proclaim this gala as a 'Western take on Chinese inspiration in fashion' and be done with it. Because that's what they ultimately succeeded with. The inclusion of the very few Chinese designs felt like a last minute move purely to avoid backlash. And yes, I get that it was only an exhibition on attire, but why go on such a stupendous campaign to immerse themselves in Chinese culture, to seek their approval and opinion, and try to join East and West in a light and inoffensive way, when none of that translated in the exhibit? Maybe like that journalist, I too am overreacting. But it's only because of my familiarity with the culture, and how certain aspects would be perceived by them. That makes me feel awkward. I'm not trying to be the Sino spokesperson here, but I don't think the Chinese thought much of it, btw.
. But otherwise it was a treat to watch. I was quite moved by John's interview, and JPG and Kors came across as so endearing. The mere fact that they were as enthralled by McQueen and Galliano's creations as their guests really made them so likeable for me. Also, are there really that many Brits at the museum,
. It sounded more like the V&A than MET, and felt odd to hear an American accent during brainstorming sessions. And I now officially have a Baz Luhrmann problem, not in a good way!No no, I didn't mean it in a bad way, of course.Just that Rei doesn't say yes to every Tom, Dick and Harry. In fact, imo her work is almost too sacred to be oohed and aahed by the likes of Kate Hudson and Selena Gomez. She'll most likely lay down the terms, which is not something Anna and her posse are used to. You really ought to watch that Met-China documentary. They enlisted a group of famous Chinese co-chairs for consultation purposes, Wong Kar-Wai, Wendi Deng among others, who steered them into a certain direction, and they preceded to do exactly the opposite.
Oh, and I wouldn't lose any sleep over menswear being neglected. It will most likely be featured substantially as Andrew is married to Thom Browne, so go figure.
vogueOn Friday morning, the Metropolitan Museum of Art announced the new theme for its 2017 Costume Institute exhibition and gala: “Rei Kawakubo/Comme des Garçons.” Opening on May 4, the show will be the first monograph show at the museum to focus on a living designer since its Yves Saint Laurent exhibit in 1983.
“Rei Kawakubo is one of the most important and influential designers of the past forty years,” said the Costume Institute’s curator in charge, Andrew Bolton. “By inviting us to rethink fashion as a site of constant creation, recreation, and hybridity, she has defined the aesthetics of our time.”
The exhibit will feature about 120 Comme des Garçons womenswear designs by Kawakubo, dating back to the label’s first runway collection in 1981, all the way to her most recent shows. The pieces will be arranged by contrasting themes (East/West, male/female, past/present), which touch upon Kawakubo’s fascination with “in-betweenness.” The mannequins featuring Kawakubo’s designs will also be more accessible than ever, as they will be placed at eye-level without any glass or other physical barriers between them and the viewer.
The Costume Institute Benefit will take place, as is tradition, on May 1, the first Monday of the month. The party will be cochaired by Katy Perry, Pharrell Williams, and Anna Wintour, with Kawakubo serving as honorary chair, and the exhibit will be sponsored by Apple, Condé Nast, Farfetch, H&M, and Maison Valentino.