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The Age Issue: 50s | A Shinning Moment
Photo Norman Jean Roy
Editor Phyllis Posnick
By Julia Reed Subject Chris Evert
Hair Tim Rogers
Makeup Susan Sterling
The Age Issue: 60s | Mamma Mia
Photo Jonahtan Becker
Editor Alexandra Kotur
By Joan Juliet Buck
Subject Mia Farrow
Hair Timothy Rogers
Makeup Susan Sterling
The Age IssueL 70s | Grand Gestures
Photo Norman Jean Roy
Editor Lawren Howell
By Jonathan Van Meter
Subject Diahann Carrol
Hair Leigh Jones
Makeup Bruce Hutchinson
The Age Issue: 80s | Food For Thought
Photo Norman Jean Roy
Editor Lawren Howell
By Sally Singer
Subject Betty Fussell
Hair Yiotis Panayiotou
Makeup Geoffrey Rodriguez
The Age Issue: 90s | The Firecracker
Photo Jonathan Becker
Editor Phyllis Posnick
By Julia Reed
Subject Roberta McCain
Hair Tim Rogers
Makeup Susan Sterling
It’s only when you don’t have it that you realize how good it was...
There’s something that I loved about US Vogue: how everybody adapted themselves for the magazine. That’s the magic and the charm of US Vogue. No other publication could have done this with Kate.
I love how contributing editors adapted their aesthetic to the magazine. MAS and McDean looks very different to what it would have looked for another publication.
Masculine, handsome Amber is stunning: She would have been equally gorgeous as a man. Sure it's a tad too retouched but the mannequin-esque tribute to HItchcock and Tippie is so Vogue Italia. And so uncharacteristic of Anna's Vogue for such daring but sly imagery that verges on drag.
Touch and Go
Photographer : Steven Klein
Fashion Director : Tonne Goodman
Hair : Garren Defazio
Makeup : Stephane Marais
Manicurist : Maria Palumbo
Prop Stylist : Piers Hanmer
Model : Amber Valletta
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