Versace Mens S/S 07 Milan

[Deleted member 1957]

well some of it aint bad tho the pants in post 2 are hideous

 

[jssy4eva]

pretty

*yahoo.com

 

[Salvatore]

Yahoo.

 

[jssy4eva]

*yahoo.com

 

[Ceptuouse]

hmm, nothing i like too much yet, but ill keep on waiting for more pictures!

 

[Salvatore]

Yahoo.

 

[Missoni~Heiress]

my friend alberto went to this show

 

[reese06]

This is kinda new for Versace since their last fall and spring collection clothes were really tight. I'm a huge fan of versace but this might have to grow on me...

 

[JuiceMajor]

Luv the dress on Vlada...

 

[AlbI_MH]

I went to the show. It was really amazing!! Before starting, they let us all see the football match Italy vs. Australia it was so fun!
However, for the Versace man, summer 07 is a season that rally does begin with the letter “S” – S for sensitivity, S for sensuality and S for self-assurance. This is a season when the co-ordinates of the male wardrobe undergo a radical rethink, when the map of the male wardrobe is redrawn to reflect the soul and project the body.
Versace introduces a silhouette that takes fluidity to a new level: comfortable but never excessively loose and always perfectly judged to deliver that feeling of total ease essential to the man who wishes to be relaxed and confident within himself and in his dealing with the outside world. Shape and cut are based on an anatomical analysis which had delivered a harmonious visual effect, counterbalancing the broad and the narrow within a single garment. For example, a blouson that is held in at the back possesses breadth at the front, a design which acknowledges the natural arc demanded for ease of movement. Meanwhile the tailored jackets feature softened chests below saddle shoulders and a slim collar with shawl lapel, or with intarsia bellows in different colored fabrics to create a striking “fish gill” effect. Trousers are tailored and always low waisted, but now come with a round leg that culminates in a 26-centimeter hem.
The majority of the fabrics are ultra light but have a steel core so that while they give a naturally worn look, they hang perfectly, without a trace of rigidity. The patterns are literally out of this world, inspired by the work of Dan Flavin, the extraordinary American artist who used colored neon lights and the mysterious depths of open doors to depict the inner world. The intrinsic spirit of his “Room of Light” is captured here in an inkjet print that defines the very linear designs while displaying the actual chromatic gradations of neon. This is the starting point for all the colors: shades of gray (pearl, charcoal, gunmetal, tempered steel and black – titanium), or natual tones (sand, burnished gold, earth brown and dark olive), sometimes streaked with touches of fluorescent orange, green mauve and lime.
The same tonal interplay recurs throughout the accessories: slim belts and elongated (but not pointed) shoes feature the tiniest flashes of color incorporated in luxury raw-edge materials. The decorations assumes its own functional value.
Versace Spring/Summer 2007: a collection of striking simplicity for the man who has moved on in his ideas of formality.
Last thing : the show was actually better than the pictures let us think. Trust me.
Have a nice day.

 

[Spike413]

I'm loving the colors. And I'm definitly starting to see an athetic vibe moving through menswear this season.

 

[JJohnson]

its ok..i do like the metallic silk prints

 

[hisbedroom]

Drawstring sweatpants...on a runway? The most incapable dimwitted men already wear those.

 

[tricotineacetat]

I went to the show. It was really amazing!! Before starting, they let us all see the football match Italy vs. Australia it was so fun!
However, for the Versace man, summer 07 is a season that rally does begin with the letter “S” – S for sensitivity, S for sensuality and S for self-assurance. This is a season when the co-ordinates of the male wardrobe undergo a radical rethink, when the map of the male wardrobe is redrawn to reflect the soul and project the body.
Versace introduces a silhouette that takes fluidity to a new level: comfortable but never excessively loose and always perfectly judged to deliver that feeling of total ease essential to the man who wishes to be relaxed and confident within himself and in his dealing with the outside world. Shape and cut are based on an anatomical analysis which had delivered a harmonious visual effect, counterbalancing the broad and the narrow within a single garment. For example, a blouson that is held in at the back possesses breadth at the front, a design which acknowledges the natural arc demanded for ease of movement. Meanwhile the tailored jackets feature softened chests below saddle shoulders and a slim collar with shawl lapel, or with intarsia bellows in different colored fabrics to create a striking “fish gill” effect. Trousers are tailored and always low waisted, but now come with a round leg that culminates in a 26-centimeter hem.
The majority of the fabrics are ultra light but have a steel core so that while they give a naturally worn look, they hang perfectly, without a trace of rigidity. The patterns are literally out of this world, inspired by the work of Dan Flavin, the extraordinary American artist who used colored neon lights and the mysterious depths of open doors to depict the inner world. The intrinsic spirit of his “Room of Light” is captured here in an inkjet print that defines the very linear designs while displaying the actual chromatic gradations of neon. This is the starting point for all the colors: shades of gray (pearl, charcoal, gunmetal, tempered steel and black – titanium), or natual tones (sand, burnished gold, earth brown and dark olive), sometimes streaked with touches of fluorescent orange, green mauve and lime.
The same tonal interplay recurs throughout the accessories: slim belts and elongated (but not pointed) shoes feature the tiniest flashes of color incorporated in luxury raw-edge materials. The decorations assumes its own functional value.
Versace Spring/Summer 2007: a collection of striking simplicity for the man who has moved on in his ideas of formality.
Last thing : the show was actually better than the pictures let us think. Trust me.
Have a nice day.

god...are you writing their press notes? this almost sounds like an advertising text.

 

[Blanche DuBois]

I can't wait to see the whole collection and the video!!!
I'm so glad and pleased, it seems like Versace is above everything...
I loved everything, the loseness of it, the palette, the mixture fabrics, specially the "relax" feeling you get from the outfits...the guys are gorgeous, and I wanna see all the women interventions (like Hillary who looked great!)

and if this is a preview of what will come for womenswear...I'm more than happy...
Don't know why I love Versace so much, but I do...

 

[fouroclock]

^ I know. I love the palette. I also like her interpretation of the whole "wearing things loose" thing; I like it better than the way Dolce did it. This collection's my top two fave so far.

 

[Spike413]

I really want one of those neon printed shirts and those metallic crinkled pants.

 

[fouroclock]

I like what Noah Mills is wearing at #8

 

[dizzytacks]

i love this becuase it is almost impossible to find an interesting trench, and i love the graphics, the orange and purple neon lights,awesome

 

[Diorling]

I don't like anything but the models. I think those like spraypaint/neon prints that they have going on are very Kenneth Cole, very dated, very cheap clubwear.

It has no redeeming qualities, unlike D&G which has that camp factor, this is just trying-to-hard hetero-eurotrash.