Viktor & Rolf S/S 10 | Page 9 | the Fashion Spot

Viktor & Rolf S/S 10

I am just slightly disappointed in the dresses on Olga and Karlie. Maybe its just their walks or the models, but they didn't seem able to walk well in them. The other dresses moved beautifully.
 
salvatore, it's spring 2000 but it repeats in his work around these years

though petit lucille is right. there is nothing to compare, they had different aims
 
I can't remember the season Salvatore...

I saw it last year at his restrospective in London and I'm ashamed to admit that I had to touch it although it was a museum exhibit... it was wonderful!:blush:

here's another one that may have inspired V&R
 

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I agree that V&R and Chalayan are aiming at different things and they can't be compared as such, but you cannot deny the resemblance at first glance...
 
A superb collection!
Girly and sharp all at the same time.
I love Anja and Kasia's dresses!
:heart:
 
after i saw the video of this collection, i am able to digest those design finally.
some looks are really great and creative.
i appreciate that every time the two guys try something new,meanningful and funny.
 
Now, this is the Viktor & Rolf I knew and loved^_^:heart: To top it off Roisin sang some new materialB)
 
oh wow :laugh: some of the peices aren't really Ready-to-wear are they? But I'd get really excited if a celebrity decided to wear one of the shorter dresses to an event [such as the ones Abbey Lee was modelling...is it Abbey Lee? :unsure:] but nevertheless, how wonderful is it? of course, some may disagree and think it is over the top and ridiculous, but that's the beauty of V&R. Before nils (thankyou! ^_^) posted up the pictures from catwalking.com I was really bewildered as to where Anja's lower half had gone! how heavy do you guys (and girls) think the more... 'extravagant' dresses were? looks like there was a lot of material used O_o I'm never really sure what to expect from V&R... *clap clap* this collection made me smile with what Mr. Snoeren and Mr. Horsting came up with..
 
review
WWD:
“Credit crunch couture.” In this time of economic restraint, the designers took a hacksaw to gowns made from miles of dusty pastel tulle and reworked the cutaway froth into more approachable clothes. The ruse rang with potential for a vibrant fusion of fashion and fun. But, unfortunately, Viktor Horsting and Rolf Snoeren let this one get away.

No woman buys a theme, so the fact that the butchered ballgowns didn’t come out until the end of the show shouldn’t have mattered. Nor that the major set decoration, a glittering disco-y globe (positioned opposite pregnant singer Róisín Murphy, who performed live decked out in a megapyramid maternity frock) seemed to have nothing to do with anything. But it felt quizzical, because the clothes never superseded the shtick in importance.

It wasn’t for lack of trying. This was a camped-out affair, with gigantic tulle appendages in turquoise, lavender and peach jutting off of shoulders, flapping against hips and piled sky-high upon shoulders, rendering a girl neckless. Even some of the more sedate looks — otherwise attractive bustier dresses, for example — flashed three or four color splashes when one would have done splendidly. By the time the designers got to their lingerie moment — in itself busy, as boudoir dressing goes — viewer dismay had set in, although it was possible to shake out of it and find some pretty robe- and pajama-inspired ensembles.

In the end, however, exactly what Horsting and Snoeren intended to telegraph here remained unclear; certainly very little about how they think women should dress next spring. Which is not to say there is no longer room in fashion for theater. But especially these days, if a collection is going to be over-the-top, it should be so for a reason — to provoke or inspire. Despite a mountain of effort and the ample skill on display, this came off as an attempted frolic that fell flat.
 
I really enjoyed this, pure fashion. I'm excited how this will translate in the commercial collection.
 
LOL

i saw the preview pic after the collection and it's really what that collection looks like:

-tulle dresses, with a guy going crazy on them with a chainsaw

it's got a spectacular element to me. psychotic, crazy, deranged, but the dresses are so.... PRETTY!

it's really a fun collection :D
 
I'm not really impressed by the tulle extravaganza... at least Hussein Chalayan knew how to use the fabric wisely and create a beautiful silhouette out of it. In this collection, it seems that the fabric was just placed at random places.
I totally agree with you.
I do usually like their insanity but now it doesn't seem to be as clever as it used to be, imo. I'm not a fan of the fabrics and colors.
Perhaps this collection will look really good in magazines... Roversi and Walker could do great jobs.
 
I think this is one of those "Let's just show what we can do" kind of lines. I mean, not much of it is really wearable, but I do appreciate the way they played with shapes and symmetry. It's definately a unique collection. It's vibrant, it catches the viewers' attention, and it shows the craziness that goes through their heads and the things they can make fabric do. I think it's a very good showcase line.
 

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