I also don't understand Kamila Filipcikova's appeal ( I don't think she really stood out in last month's Vogue Italia; I couldn't really tell one from the other, sorry...) but I would have to say that she works the cold porcelain/marble statue feel of this edit really well (Does she even look alive to you?). S I also think that this edit can stand on it's own even without the photoshopping, although as far as originality goes, I think this looks like a Roversi copy. Which is like, c'mon Meisel, you copy Roversi and photoshop it, therefore you can call it your own? Hmm, I don't know. I find it very pretty, though.
Last edited by a moderator: