Larsson described Salander in opposites: slender but tough, “spidery” but elegant. Fincher, who is directing the American movie version of the first book in the series, has taken that gamine, biker-chick, downtown-girl template and tweaked it. Now she’s his.
The transformation began with the hair. Mara’s long brown mane was dyed black and cut in a series of jagged points that looked as if she had chopped it herself with a dull razor. The bangs were cropped very short and uneven, and the rest of the hair was layered into an extended shag. The final result was a mash-up of brazen Seventies punk and spooky Eighties goth with a dash of S&M temptress.
That look, which could also describe Salander’s nature, was echoed in her wardrobe—a collection of ripped stockings, low garter belts, skintight leather, and heavy-soled boots. In all the angry, attractive darkness, Mara, who is 25, lithe, and petite, radiated an intriguing mix of menace and vulnerability. Fincher’s Lisbeth Salander, as channeled by Mara, is unique—a brilliant but childlike avenging angel with an understanding and an appreciation of violence. In essence, she’s a lot like her creator, David Fincher.
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For The Girl With the Dragon Tattoo, Fincher has imagined more than the obvious—a compelling thriller about a crusading journalist and his mysterious partner, Lisbeth Salander. Instead, he wants Salander to be both subversive and a new kind of role model. Which is why he has analyzed every detail, from her earrings to her essence. Nothing with Fincher is accidental, and although he delights in being subversive and contradictory, he is deeply committed to his characters, his movies.
“Look at this,” Fincher said as he returned to the carefully placed spots of blood on Mara’s palms and wrists. The bursts of maroon were like stigmata—turning Salander into a martyr rather than a complex force. “That’s just not right,” he said flatly. “Lisbeth Salander is not about suffering! She is not Jesus! She is about vengeance!” Fincher smiled. An assistant squeezed rivulets of blood onto Mara’s hands so that it ran over her fingers. “That’s better,” Fincher said, clearly pleased. “You have to get it right. Or there’s no point at all.”