1871-1949 Mariano Fortuny

Apricot silk Peplos gown and a stencilled tabard, circa 1920-30, edged with striped white Murano beads to the shoulders and to the pointed sides of the tunic panels; the pale turquoise tabard labelled, with wide panel to the back and narrow front panels held together at the sides by silk thongs.

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kerrytaylorauctions.com
 
Black silk Delphos gown, circa 1920-30, unlabelled, with black cords criss-crossing over the breast, elbow length curved sleeves, edged with lapiz-blue Murano glass beads, large black and white bead to the breast.

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kerrytaylorauctions.com
 

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Mariano Jose Maria Bernardo Fortuny (Spain, 1871 - 1949)
Woman's Evening Gown, circa 1919
Costume/clothing principle attire/entire body, Silk velvet, pleated silk, and glass beads, Center back length: 62 1/2 in. (158.75 cm)
lacma.org
 

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Fortuny Antique Pink Peplos Gown and Box
Italian, 1930s
Pleated silk, short gathered sleeve, drawstring scoop neckline, overtunic with darker pink Venetian glass mottled beads along pointed hem and down each side, silver stenciled silk belt, original cleaning instruction ticket, belt signed in silver: Fortuny Dse.
doylenewyork
 

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Fortuny Almond Silk Fortuny Peplos Gown
Italian, 1930s
Pleated silk, creme silk cord drawn through scoop neckline, top of short batwing sleeves and edges of pointed side tunic trimmed with khaki and white striped Murano glass beads, metallic gold stenciled belt, size M, original box, labeled: Fortuny De.
doylenewyork
 

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A better scan from the one in post #36

Magical History Tour
Ph: Craig McDean
Styled by Kate Phelan
UK Vogue December 2006 : 90 Yrs Commemorative Issue
Scanned by KuBbLe
bwgreyscale
 
Fortuny Black and Ivory Silk Coat
Italian, 1930s
The ivory background printed with motifs inspired by Coptic and Islamic art, very wide sleeves, Venetian glass bead trim at front and along slits in skirt and sleeves, long ivory rouleau tie closure at neck with self tassels, black silk lining, silk faille label: Mariano Fortuny/Venice.

See Guillermo de Osma, Mariano Fortuny: His Life and Work, p.213, no.11, p.183
doylenewyork
 

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Fortuny silk Delphos tea gown, 1920s

Fortuny used a thin silk satin more finely pleated than anything ever seen in costume. His famous hand-pleating method has never been successfully duplicated. Because the seams are so tightly pleated, they are difficult to detect.

The garment is incredibly soft and liquid, molding to the curves of the body, like the draped dress of the ancient Greeks. Fortuny's contemporaries described him as "an alchemist": he achieved magical effects by secret techniques unfathomable to outsiders.

The feather-weight tea gown is weighted on the shoulders and sides with strings of clear, striated Venetian glass beads, necessary to weigh down the lightweight silk. The antique pink color is subtly shaded. (I have never before seen this lovely hue—dark Carnation pink). To keep the pleats in place, the dress should be stored twisted like a skein of yarn.
vintagetextile
 

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still love the see these details on the dress ... thanxx again to post it in this amazing thread
 
Mariano Fortuny (España, 1871-1949)
1910[ca]-1920[ca]
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museodeltraje.mcu.es
 

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