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Where's that bias cut?
condenaststore.comIn his photograph of model Agneta Fischer wearing a hand-knit bathing suit by Elsa Schiaparelli, George Hoyningen-Huené patently demonstrates his talent for subtle but precise formal composition. The image appeared in the July 1, 1931 Vogue.
condenaststore.comSchiaparelli Dress at the Schéhérazade
In this beautifully composed photograph, a model is shot in the famed Parisian nightclub Schéhérazade. She wears an asymmetrical, one-shouldered evening dress by Elsa Schiaparelli. Donald Honeyman's image appeared in the October 15, 1949, Vogue.
condenaststore.comSchiaparelli Floral Frock
A model waltzes through a room in this Henry Clarke photograph. She wears a strapless floral dress with a full skirt and oversize sash by Schiaparelli. The exuberant, atmospheric work appeared in the March 1, 1954, Vogue.
condenaststore.comSchiaparelli in Construction Site
This Cecil Beaton photograph was quite provocative for the 1930s. A most elegant model sits precariously on a sawhorse, right in the midst of a simulated construction site. She wears an oversize laborer's jacket and a white silk dress, both by Schiaparelli. Her straw hat has a mica visor—all the better for reading the newspaper. The tableau-style image appeared in the January 15, 1936, Vogue.
Sketches for hats (including the shoe-hat that was suggested to Dalí by his wife), 1937
Source: my own scans
nytimesPrada and Schiaparelli at the Met
Elsa Schiaparelli may share a birthday with Karl Lagerfeld (Sept. 10), but Miuccia Prada is unquestionably her sister in soul. Putting these two nimble minds together makes sense, and not simply because both are educated Italian women who enjoy a good fashion joke. The Metropolitan Museum of Art announced today that the spring 2012 exhibit at the Costume Institute will be “Elsa Schiaparelli and Miuccia Prada: On Fashion.” It will open May 10 and run through Aug. 19, with the gala on May 7.
Harold Koda and Andrew Bolton, curators at the Costume Institute, will organize the exhibit, which will include a total of 80 designs from Ms. Prada and Ms. Schiaparelli, who closed her business in 1954. (She died in 1973.) Ms. Schiaparelli hit her creative stride in the early 1930s with knitwear, sports clothes and evening dresses that had a light-hearted and often Surrealist touch. Some of her craziest ideas were reserved for female heads. She had friendships with artists like Salvador Dalí and Jean Cocteau, an interest in common with Ms. Prada. It will be curious to see how Mr. Koda and Mr. Bolton present a dialogue between these two women.
The exhibition will be underwritten by Amazon. Its founder and chief executive officer, Jeff Bezos, will be honorary chairman of the gala; the co-chairwomen are the actress Carey Mulligan, Anna Wintour and Ms. Prada. The director Baz Luhrmann will be creative consultant.
timemagazineSchiaparelli. “Of course we don’t want pants,” cried Elsa Schiaparelli in a speech before Manhattan’s Fashion Group last year. “Men are already ugly enough in them without having women wear them.” But Mme Schiaparelli gave women practically everything else, including dresses made of cellophane and rubber, collars of china, gadgets designed from harness. One of her best textile designs grew out of some plaster and netting she picked up in a rubbish pile. In her crusade for sharp, dramatic line (“skyscraper silhouet”) Mme Schiaparelli persecutes the button with morbid zeal, has substituted all manner of gadgets in place of it, including metal coat fasteners in the shape of dollar signs.