well "ordinary" is hardly a term i would use to describe their work in any vein. simple,perhaps,but more often than not what they do is covetable....even the simplest.
and have a gander at these

i'm curious as to what their concept was because i didn't notice the newspaper elements from the catwalk....it's very interesting.
The inspiration is the taxidermy art of Dutch duo Maarten Kolk and Guus Kusters. In their work entitled Avifauna they take dead birds and, once stuffed, fashion them alternate coverings to feathers and in one instance a newspaper tail.
Avifauna is rather tame compared with other hybrid animal sculpture taxidermy art produced by ie Thomas Grunfeld, Iris Schieferstein, Deborah Sengl and Katharina Moessinger which can be seen to be fairly poignant to this season's zeitgeist.
The notion of hybrid animal forms or a Deleuzean 'becoming animal' can be seen in McQueen SS10 and Lee had also referenced Hieronymus Bosch in AW10/11 who's paintings contained hybrid species grotesques.
One can also see this line of influence present in the Prada collection this season.
In the Vandevorst equestrianism yes, but extend that I think into hunting. With woman becoming avian with the tailfeathers and mammalian with the fur 'tails', there's also a play on whether she is the hunter or the hunted. Which chimes with the work of Deborah Sengl. Prada is perhaps more Katharina Moessinger.
Whilst I think I saw only one halterneck form in the collection (a definite trend elsewhere) those harnesses worn over the derriere take us to the german etymological root of the term 'halterneck'. A halter being the means of shackling animals so as to attach a lead and which dates back to the dawn of the domestication of animal breeds. I take the harness contraptions to be halters. Although quite why one would wear them where Vandevorst propose, well..I guess that's a whole 'nother story...
Haider Ackermann having been 'picked up' by the twitterati, I think perhaps we're quite glad that Vandevorst remains a minority interest. Although of course I'm sure we'd wish them an equal measure of critical acclaim and positive publicity of which they are unquestionably deserving.