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*Nytimes.comIn contrast, the premiere showing of Nicolas Ghesquiere for Balenciaga was a dissertation on architectural cut. Exclusively in black and white, the collection was deliberately and successfully severe. Wool dresses floated downward as if held by invisible threads. Trousers fell so sharply and precisely they made an uninterrupted line from waist to ankle. A pagoda-sleeved coat with an obi-type sash was so impeccably cut that it appeared able to make any woman magically posture perfect.