softgrey
flaunt the imperfection
- Joined
- Jan 28, 2004
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about the story or narrative-apparently there is;'t much of one...helena said:faust - I don't think it is boring. Chanel was as much a revolutionary as Yohji or Chalayan in her day. I guess it depends upon the 'story' that goes with the exhibition. How the clothes are explained by the narrative.....or what narrative the clothes actually take. I think that it would be hard to depict Chanel's radical spirit in the absence of anything (from the time) against which to compare it, or even simply an explanation of the sartorial & gender norms of the time.
if you check the first nytimes thing i posted in the highlighted bit...
the exhibit sounds very stark and dry...it actually sounds very boring to me...
to be honest...not to burst anyone's bubble..but all of the met's costume institute exhibits are boring...i really think they need to get visual designers or stylists to design the exhibits and not 'curators' and 'art historians'...they just don't put together visually compelling shows...i barely even bother going to them anymore...hardly any fashion people do...i guess tourists might go just once for the experience...i also don't think they have a very good budget...
the best one in the recent years was probably dangerous liasons...hamish bowles (editor-at-large for vogue) was guest curator and they did the exhibit in the main part of the museum in the area that was the same period as the clothing...so that at least the clothing was shown in some context ( an not in some dark and dreary basement)...and he did naughty little clever things like have one mannequin laying on the floor 'passed out' from 'the vapors'...translation-her corset was too tight...
i hope this is better than i think it is...
ps-what was the last met exhibit-birds of a feather i think?...did anybody go to that?...i didn't...and i don't know anyone else who did either...