As usual .. I agree w/Lena ... though there's something we all have to keep in mind ..every single design house is going for the sellable qualities right now ..things -on the fashion bussiness- aren't as stable and gold-paved as it seemed on '00 ... creative directors are under immense pressure to get every single piece placed ... I know that Chanel it's Chanel ..and must be one of the most coherent houses regarding the legacy ... but still, this is couture ... I think that the pieces are absolutely great, but it lacks of something ... it just doesnt make goOriginally posted by Lena@Jan 21st, 2004 - 4:49 am
me too, it was a bit stiff and 'old', apart from the pretty little black dresses.
but ..its exactly what the typical HC client will want to invest in, very commercial
i hear you.. it's a bit mature for my taste.Originally posted by Lena@Jan 21st, 2004 - 4:49 am
me too, it was a bit stiff and 'old', apart from the pretty little black dresses.
but ..its exactly what the typical HC client will want to invest in, very commercial
agreed...i think it is hard for people to realize that when a conservative house goes with a safe collection it will look staid and unremarkable. those who look for innovation in the couture don't come to chanel, the chanel client knows exactly what she wants rather it's the ready-to-wear or the haute couture.Originally posted by Lena@Jan 21st, 2004 - 4:49 am
me too, it was a bit stiff and 'old', apart from the pretty little black dresses.
but ..its exactly what the typical HC client will want to invest in, very commercial
karl makes me sick though
so true, he's driving the Chanel house in a very clever way, i absolutely agree on the different directions of the pap & couture, it makes sense and it keeps things in their place.Originally posted by mikeijames@Jan 21st, 2004 - 8:34 pm
those who look for innovation in the couture don't come to chanel, the chanel client knows exactly what she wants rather it's the ready-to-wear or the haute couture.
what i find so interesting is how karl is pushing chanel's ready-to-wear line to a younger-and-younger audience (and a more funky, experimental extreme) while pushing the couture to that rarified breed who rejects anything new.
just out of curiousity lena, would you know which couture houses make money?