thanks for the pictures, fredo. please don't forget to credit your sources, i know you scan a lot of the work yourself but it's necessary to add this information as due to our policy we are to edit all uncredited pictures

anna karina said:thanks for the pictures, fredo. please don't forget to credit your sources, i know you scan a lot of the work yourself but it's necessary to add this information as due to our policy we are to edit all uncredited pictures![]()
anna karina said:thanks for the pictures, fredo. please don't forget to credit your sources, i know you scan a lot of the work yourself but it's necessary to add this information as due to our policy we are to edit all uncredited pictures![]()
He was a magican with a cameraZazie said:He is the GREATEST photographer ever.![]()
Maybe the best fashion photographer but I would hesitate before calling him the best photographer in all contexts.Zazie said:He is the GREATEST photographer ever.![]()
This one is a tribute photograph shot by someone else for a contest at Guy Bourdin's website.scblonndie said:Prob the greatest shoe photographer ever (and than some!woot:
chicgarcon said:how do you pro|nounce his name..?
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lance77 said:Hello everyone,
I had a very interesting meeting with my country's top fashion show producer recently.
I showed him Guy Bourdin's images whom I'v admired and I'm currently studying right now. the producer made a very interesting remarked. He noted that Guy Bourdin's like the poor man's Helmut Newton.
It made sense to me to a certain extent, because both have aimed (consciously or subconsciously) to include physchological undertones in their images. Guy Bourdin seemed to make a more deliberate effort in doing that but Helmut had achieved bigger recognition.
What do u think? about this statement of "Guy Bourdin's like the poor man's version of Helmut Newton" ?
Flicker said:Elizabeth Shulman
Flicker said:I did my french oral project on Bourdin, and talked a little about Newton.
I think that Bourdin actually started this style; he opened it up for other photographers like Newton, who was much bigger in the 60s but Bourdin was successful a bit earlier than that. I think Bourdin broke out of the fashion advertising mould, of nice, sanitized women and his work allowed the p*rno-chic movement to establish in France. In a similar way I think it was easier for Newton to take photos after Bourdin had started his career.
Bourdin also hated his work... he felt he had sold out, that his work could not be considered as real art. When he died he burnt a lot of his work, it's just lucky his son managed to find and gather what was left.
He also disliked socialising with the fashion world. Thus little self-promotion compared to Newton, and he was French. For some reason, Americans in fashion are terribly well-known over European counterparts (example: Anna Wintour... I don't know any other Vogue editors except Elizabeth Shulman and that's cos I'm British and know British Vogue). Although that's my opinion, so don't take it too seriously!
So basically... you ask 'is Bourdin the poor man's Newton'?
You have got to be joking. In my opinion he is far and above Newton, in that he had to work harder for success, and he paved the way for Newton and others like him. Just because one photographer is more famous than another does not mean he (or she) is necessarily the best.
Flicker said:So basically... you ask 'is Bourdin the poor man's Newton'?
You have got to be joking. In my opinion he is far and above Newton, in that he had to work harder for success, and he paved the way for Newton and others like him. Just because one photographer is more famous than another does not mean he (or she) is necessarily the best.
lance77 said:Like i said earlier, i admired and enjoyed his work
I'm merely pondering over a friend's remark. I'll stop short at judging who's better - Bourdin or Newton.
The big difference is - Bourdin saw his practice as art, while Newton gunned for commercial success and recognition in fashion.
lance77 said:Like i said earlier, i admired and enjoyed his work
I'm merely pondering over a friend's remark. I'll stop short at judging who's better - Bourdin or Newton.
The big difference is - Bourdin saw his practice as art, while Newton gunned for commercial success and recognition in fashion.