In this fashion era, Vuitton is the ultimate pop queen, so of course the image and the merch is what sustains the brand (...wasn't Marc's Vuitton similar...?). People dismiss Pharrell without taking into consideration how perfect he is-- in this fashion era, for Vuitton. The menswear makes more sense, and more profit, associating itself as a high-end streetwear— at least in this current fashion climate, anyway. Vuitton men’s was never some fashion visionary brand even back in the golden age of fashion that was the 2000s. Pharrrell’s more of a brandname than Nicholas to the masses. And as much as TFS may not like to admit it, that’s whom this brand mostly appeals to. No doubt Nicolas is aware of this, and why his Vuitton input is so much lesser than when he was with Balenciaga.
Needless to say, Nicolas remains a standout talent. And this offering showcases his better efforts, but it’s still so excessive in his throwaway self-indulgence, funded by his handlers' limitless budget, that’s brought out the worst in him— rather than the best. It’s ike the people that were once stylish but not rich but now can can afford and wear whatever they want in their little rarified world, without a care, that have become the worst fashion victimz of all time: Nicolas is the designer equivalent of that now. He’s likely too deeply settled in the lap of LVMH to ever venture out under his own namesake now. If he does, he would be his Balencaiaga-self great again. Because, as solid, and as potentially-great some aspects of his Vuitton has/can be, it never quite reaches— or makes the efforts for, the highs of his Balenciaga.
(And you just know that come September, that monogrammed trunk dress TFS hates will be in all the fashion rags, with Carine putting it on the cover of her's, worn by Rihanna/Kim K/Cardi B or whichever mean girl Carine’s desperately kissing up to be associated with…)
I totally get your point…
There was a interview in Paris Match where Nicolas was asked about his opinion on how he feels about people saying that his Balenciaga was better than his Vuitton. He simply said that he has evolved and that through intention and respect, his now is for Vuitton.
So of course, there are sensationalist moments like those trunk printed stuff (that would actually translate well into silk printed shirts).
I don’t think that he is thinking about Balenciaga as much as we do (or people do). And I’m not sure people will reconcile with his work when he leaves Vuitton.
I guarantee you that you will not find his next path after Vuitton as good as his Balenciaga-days.
Fashion history has proved us with Phoebe Philo, Hedi Slimane, Tom Ford, Helmut Lang that it never happens. A great past and a return does not always means critical acclaim.
I love Nicolas for the same reason I loved Karl: their willingness to push fashion forward. Their past informs their style but it’s not stuck in the past.
The Ghesquiere woman has extremely evolved. In his Balenciaga days, barely made flat shoes…What? 2 collections?
Comfort is part of design language now. My favorite looks from this collection are the two black looks with the beanies. They are extremely chic, modern, kinda Japanese but not detached from the Ghesquiere ethos.
His work is very controversial and I don’t think people will ever warm up to it because I don’t think people understand his philosophy, subscribes to his aesthetic. Balenciaga incarnated a certain vision of chic at a time but I remember that even his last few collections that gave a glimpse of what his Vuitton turned out to be, weren’t that well received.
I hope that he will keep his spirit to push fashion forward. Ok, I love when he just give us a fabulous pair of pant or a relatable styling in an attempt to show that « he still got it » but I’m fine with it. I don’t expect him to design like when he was in his 20s/30s, when he was struggling to keep his job at Balenciaga and make the brand profitable.
I hope for Nicolas Ghesquiere to be more like Karl and less like Tom…
Ahaha! Don’t talk to me about CR. I have made piece with her too. I still love her, still love her personality and her style but also her legacy but I simply hate work now. I said it, I hate her work now…