Louise Pedersen

^Yep, such a difference in how she looks. Shame. Most of the High Street shops seems to have had 'proper' models this season-Anouck for Warehouse, Coco for Topshop and of course the Gaps ads. Some are better than other though...
 
Bump.

Again, I must revive this thread... I miss Louise...

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- LundLund.
 
^Thanks very much, it's lovely to see something new. Still so beautiful
 
Louise on the cover of Eurowoman. There's an interview inside, too.. I'll translate it later ;)


[eurowoman.dk]
 
Interview from Eurowoman, October 2006 - Part #1:

"To be good-looking is nothing to be proud of"

Two years ago the Danish model Louise P. was one of the most admired models, doing jobs for the largest fashion houses in the world. But one day her skin started to break out. And then she quickly went down in a business which can transform young girls into huge stars only to dump them briefly after. Today Louise P is back as one of the best paied models and she's doing it in a pace where even she can keep up.

Two years of Louise P's life stands unclear in her memory still. There's a lot of things that she simply doesn't remember. Now she simply laughs about it and calls it a post-traumatic stress reaction. It's not a diagnosis that her doctor gave her but it's what she has concluded over the years after she had her big break-through as a model.

Practically from one day to the other she became the It-girl among the prestigious fashion designers i New York, Milan and Paris. She travelled the world. It's wasn't abnormal to do 27 shows in 5 days with exhausting fittings in the middle of the night, with jetlag and on an empty stomach. The period, from when the world-famous designer Marc Jacobs booked her for his show in 2002 until a skin disorder a couple of years ago put a stop to the hysterical demand, was such an eventful time for Louise P that she still can't recall much from it. What she remembers the best about the epoch-making event of the Marc Jacobs show is "something with a huge tent somewhere outside of New York and then myself on the catwalk .I had no idea who Marc Jacobs was at the time. But I found out" says Louise and laughs.

"I still can't completely identify myself with that image of being a model. And at the time it was even harder to. I thought it was embarrasing to see pictures of myself and I didn't think that I was pretty enough to be a model. And I couldn't live up to those diva expectations which especially a lot of fashion and makeup people had." Instead she found a professional facade, and she became good at her work. But most important of all - quite fast she stopped trying living up to other people's expectiations for how a world famous model should be behaving. "It's important to be yourself" says Louise.

And that is also how she comes off. Friendly, obliging and unusually unspoiled considering that she is one of the most used models in the international fashion world. Louise P. with the full name of Louise Hammelsvang Pedersen welcomes me in her agents appartment on Frederiksberg Allé i Copenhagen which is situated on top of the hotel in which she is staying herself while she's doing Copenhagen Fashion Week. Otherwise the now 25 year-old model lives in New York, London or in her new summer cottage on Djursland which she recently acquired. Out of the three, she prefers the last as she's close to her family and friends.

She laughs a lot and, with a typical Jutlandic accent, she explains about the fashion business which one day can make young girls superstars with skyhigh salaries only to dump the without reason the day after. "I have been incredibly lucky, that I have been doing so well. I only met kind people. And right now I'm quite content with that it's not as hectic and busy as when I got my break-through and worked constantly in a couple of years. I still book the big jobs but right now I am allowed to choose whatever fits into my life right now" Louise tells. At the moment she can be seen in campaigns for Pilgrim, La Perla, DKNY, Trussardi and the Nykredit commercials [which run on Danish television]. "Now I have gotten a lot more peace and quiet and I think a lot about the things that happened when I started out. It hasn't really been sorted out yet. That's also why it's nice to be interviewed and tell about it so it can fall into place in a better way".

This Friday morning after the late fashion shows for Bruuns Bazaar in Copenhagen, Louise is barefeet and wearing black tights and a black hoodie with a light grey cranium and "Zero" on the front. She bought it the previous night on Christiania where it all of sudden got chilly outside and the Mads Nørgaard show inside was packed. She serves Nescafé, water, and she lights up a red Cecil while telling about her life which has been full of contrasts and where the modeling carreer almost came by coincidence.

Scouted in train
It was not glamour, haute couture and makeup that she dreamt of. Rather anything but. She wanted to work with animals. But since killing an animal was completely out of the question for her, she couldn't become a vet so instead her choice fell on veterinary nurse. The 32 spaces, which exist in Denmark, were all occupied so a few years before she would strut on the runways for designers such a Lagerfeld, Gucci and Balenciaga, she was in an activation program for 6 months on Bundsbæk Mølle Friluftsmuseum in western Jutland. Here she had the responsibility for 11 shetland ponies - with lice! "Fastidious, no, that I'm not. And that wouldn't be any good being a model either" she says laughing.

As a child Louise was very much into horses but at the same time she was a little princess, too. She loved to dress up and get attention from friends and family as the middle child in a family with father, mother, big sister and little brother in the small city Stauning in western Jutland. The modeling came by coincidence.

She was 20 years old on her way to Norway to work as a maid. In the train she was scouted by a friend of Peter Damsgaaard, the guy who is now her agent. But Louise went to Norway. The business card from the agency she kept, though. And when she returned 3 weeks after she went up to the agency, which to this day still is her agency. "We made some pictures. It was horrible - it completely exceed by limits. I was shy, I didn't know how to act in front of the camera, and I didn't think that I was pretty enough to be a model. After that day I didn't hear anything from the agency in a month. It thought that was it! Very don't-call-us-we-will-call-you. But I was simply relieved that it was over with and I had survived."

2pm hadn't forgotten about her, though so shortly after she was launched as a model and she got into foreign agencies, too. But she still wasn't completely ready for the modeling. One of the obstacles was her (now ex-) boyfriend: "I didn't have any problems with being photographed in underwear. But he had! His dad and granddad would ask if it wasn't time for me to get a decent job. He wasn't crazy about it. Maybe he was jalous. In any case, it limited me. I could simply have said "Now, you listen, I'm going to New York now!" but I didn't. In the beginning I didn't even have the selfconficende to do such a thing."
 
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Interview from Eurowoman, October 2006 - Part #2:

Hungry and Tired
After one year with travelling and model jobs around the world the boyfriend's limit had been reached and she ended it. Both her and her agency could feel that she was ready for something more. And then everything started to go fast all of a sudden. Peter Damgaard had a scout from Women Management to look at her and the reaction was prompt: "I want you to come to New York - Now!".

That was when Marc Jacobs booked her first. And afterwards all the other fashion houses followed: Calvin Klein, Donna Karan, Gucci, Christian Dior, Karl Lagerfeld, Chanel, Moschino, Max Mara just to mention a few. In the years she was one of the models in the highest demand, but not only for shows and clothes campaigns. She did cosmetics campaigns and covers on all of the big magazines such as Vogue and i-D.

"When you've been booked by one of the big names everybody else wants to book you as well. And that was fantastic. But it's hard, too. Everything happens so fast. Then there's an amazing show, a special photographer, an important stylist, a prestigious campaign... In two years I worked without a break, day and night - even between Christmas and New Year's" she tells and points out: "Sometimes you're so tired that you don't even feel the hunger because you have so many nerves as well. It was actually my sister who called me and asked what I was doing because she had seen some pictures and had noticed how skinny I had become without myself noticing."

The countless number of images however, doesn't reveal how nervous she was from time to time. For instance when she met one of the hottest photographers in the fashion world, Mario Testino. Her heart was beating in a fast pace, she had cold sweat and had lots of insecure laughter burst-outs. But he loved her like everybody else.

No to Louis Vuitton
She got a campaign for Gucci, opened the Prada show. But it was also in the period where she did what you absolutely can't do. She dropped the Louis Vuitton show even though she was already booked. She simply called them up and told them that she was too exhausted. It was 2:30 in the morning and she had already done a ton of other shows and then she had to go to the fitting of one of the most prestigious shows of the Paris fashion week. The fittings are usually held in the middle of the night - the whole night - and in the fashion business it's often referred to as hells night. Outside of her hotel door her driver was knocking on her door to get her to the fitting but she refused to open the door. She was tired after two months of constant work and at the time she didn't know what Louis Vuitton was and what power the French fashion house possess: "Obviously it raised hell but exactly what happened I don't remember. Only that Saif - the casting director - was slightly embarrased about the present moment. But I guess they gave my clothes to another model. It could have ruined everything. But fortunately it didn't."

Everybody thought that it was over for Louise now. You just don't drop Vuitton - especially not in your first season. But fortunately for Louise there were plenty of other people who still believed in her - for instance Mario Testino. And that might have saved Louise. In any case, she did walk the Vuitton show the year after. And she hasn't been asked to come to a fitting in the middle of the night ever since, but what exactly happened she still doesn't know. "I was just so tired. The stress stays in your body. I've had several break-downs. I remember once at Balenciaga where their casting director yelled at me for being late but I was only late because all of the other shows were running late. I howled and had to walk out of the room. All of the other models were so sweet but I kept pushing them away. All of a sudden it can just feel like everybody's touching you all the time" she tells.

She has developed a technique to handle the pressure. Instead of being filled up with negative feelings she tries to focus on all of the people who're trying to make everything work. She especially remembers on time where she was at a Balenciaga fitting: "It was so busy. And I had to wear this light pink dress and they fitted on me. Afterwards the seamstress broke down crying because it fit so beautifully. Such a thing is a big experience" Louise says.

Skin eruption
It was a vile skin disorder that led to the stop of the huge demand after Louise P. She's angry and annoyed at the disorder in itself but otherwise not much affected by that her carreer has taken a turn. Everybody knows that it's a business with ups and downs. That the girls talk about together as well. And as a matter of fact, Louise is quite pleased with that the pace of her carreer isn't as hectic as "when hell broke loose", as she describes her break-through years. "I've always had amazing skin. I think I once had a spot at the age of 16. But all of a sudden in Paris my skin became bad. And it kept on. I tried to ignore as I had never had problems with my skin before so I thought it would simply blow over. But it didn't."

It was not until that J.Crew didn't wanted to work with her anymore that she realized she had to do something. She had been working for them regularly for a long period of time and was happy with it. But they made it clear to her that they couldn't keep using her unless her skin disorder would be cured. It was simply too much photoshop work. "It was sort of a wake-up call for me. For a few months I had thought that it would probably disappear by itself because I never had any skin problems before. But when J.Crew told me this I realized that it was serious now. They had been very loyal to me inspite of the problems and I didn't want to loose the contract" Louise tells.

She went back to Denmark and a skin doctor, who immediately gave her antibiotics, and the rash disappeared. "It turns out that I had been infected with a bacteria during a fashion show in makeup. And that I'm angry about. I think it's below standard that the makeup artists can't even keep their brushes clean" she says, and continues: "It didn't knock me out. I guess I perceived it more as a much needed and deserved break".

Model in a new pace
This is the first season where Louise hasn't attended all the big shows. Previously she was offered them but after her skin problems she has to ask for them herself, and she doesn't want to. "Of course you get a kick from walking a show. But that great a kick it isn't! I have both gotten and tried enough already. And I'm content with that the job is less hectic now since I still get some great jobs. Now it easier to particapate full-heartedly in it."

The business has become harder. That the girls talk about and it's confirmed by the agencies. The girls have gotten younger - too young when you ask Louise. It has become more of a use-and-dispose culture than what it used to be in the 90s where the supermodels ruled the fashion world. The new Danish star in the international fashion world is Freja Beha Erichsen. Louise doesn't know her but briefly talked to her the night before and has confidence in her: "She seems like a tough cookie so I'm sure she'll make it."

Money is something Louise has made a lot of. And she has been clever enough to invest them in reasonable projects. Appartment in New York, house in London and summer cottage in Djursland are some of the things which should give her initial capital once her days of modeling are over. The salaries are secret but you get a sense of the size when the absolute minimum for a non-prestigious job is 15.000 euros - per day!

Still, it isn't the money that has been the most amazing for Louise. His name is Arthur Meehan, a photographer, who now is Louise's husband. "We met when I was to borrow his appartment Hells Kitchen in New York. He travels with me which is great since it doesn't feel that much like being away then. He takes care of me. He gives and gives". At the moment she is making the money that they live for. But once she's finished with modeling it will be his turn. And then she wants to stay at home and take care of dogs, horses and their three children in Denmark. That is a dream and a plan that they both agree on.

Maybe it's because modeling hasn't changed that much for Louise that she wasn't completely knocked out by the skin problems. No matter how much demand there is for her and how busy she is with travelling the world she is, she never has any problems with returning to her old circle of friends. She loves being completely anonymous in Denmark and she was just a week at the Roskild Festival for a week without being recognized once.

Also, it would bother her more if it had been her personality or professionalism that had missed: "To be good-looking is nothing to be proud of. I don't consider that an achivement. It is if you're talented - or if you're a cool person, who's good to other people. And that my friends know, I am - people know that I'll be there when they need me. And that I am proud of."

-text by Lene Johansen
 
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Thanks so much for the translation, Mettchen. It's a great read. I :heart: Louise!
 
^Definately a great read, but quite sad in way...Am glad Louise is happy with her how her career is going
 
It's sad to hear about Louise's skin-problems; can't say I ever noticed it. I would love to see her on the runway again but am glad to hear she's content with how things have turned out. Still a favourite of mine.
 
she is in Marella campaign.
the backstage pics from Marella.it
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