Melancholybaby
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September 11, 2012
Backstage at Vera Wang Spring 2013
Lucia Pieroni, Clé de Peau Beauté’s makeup creative director, looked to capture a soft, ultrafeminine elegance with a seductive flair at Vera Wang. The focal point of the look were the eyes, where Pieroni used Clé de Peau’s new Eye Color Quad in Aquamarine. The lightest tone was blended over the upper lid, while the darkest brown added depth to the eyelid crease. She then applied a bronze shade, dampened with water to intensify the metallic shadow under the eye. Pieroni dabbed on Enriched Lip Luminzer in Sweet Nougat for a barely there glossy finish.
“She [Vera Wang] really wanted the hair to be used as some sort of a material,” said Paul Hanlon for Frédéric Fekkai. “So I decided to take it one step further and make it look more like a fabric rather than hair.” Starting at the back of the head, Hanlon took a section of the hair and back-combed it from the roots to the end. He sprayed a section with Frédéric Fekkai Sheer Hold Hairspray and ran a straightener through it. Then, he flipped the model’s hair and lightly brushed it from the nape of the neck to the ends. While the hair was still flipped, Hanlon crossed two sections of hair over each other at the front of the head. Putting the hair upright, Hanlon pinned the sections as he wrapped them around the models’ hair. He finished the look by pulling a few strands out toward the back with his hands and sprayed thoroughly with Frédéric Fekkai Sheer Hold Hairspray.
Nails were finished with Midnight Incoco Nail Strips.
It's Electric: Lucia Pieroni's Techno-Bright Lip at Missoni
by Catherine Piercy
We have to admit it: We’ve been waiting for a flash of neon color on the face all week—so when models finally turned up with techno-bright lips on the Missoni runway, the effect was that much more satisfying. “I was thinking about Japanese Manga drawings,” makeup artist Lucia Pieroni said of the surreal, not-quite-pink, not-quite-orange fluorescent shade she whipped up using a combination of M.A.C. Lipmix in Magenta, White, and Orange. After painting it on with a brush, she pressed a bit of M.A.C. Red Electric pigment on top for a powdery finish that was akin to a high-voltage melon. “It’s almost like the [finish] of a felt-tip pen—you know how they’re so matte and saturated? The color is stamped on in the center and kind of bleeds out toward the edges,” said Pieroni of the almost imperceptible ombré effect. She kept the rest of the face fresh, save for a few dabs of highlighter on the cheekbones and clear gloss (M.A.C. Lipglass) on the eye. “Dry lips and sticky lids,” she said with a laugh. “These girls are going to hate me!”