Made of Paper

agusco, here is some work using paper thread ^_^

Linelle Dickinson

"Tracing the Lifeline"
1st layer: paper thread weft, cotton thread warp, dyed, protective lacquer
dyed, hand woven, assembled, stitched, pierced, knotted
2nd layer: paper thread weft, cotton thread warp, dyed, hand woven, stitched
tracinglifelinew344365ai0.jpg


..
Detail
tracinglifelinewa347235bp6.jpg


[touchingstone]
 
and i thought origami was cool.
love the minimalism on some pieces!
i want them in my house!
 
Souped Up Fashion: The 60's Campbell's Soup Dress

source | brandnoise

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This is the 1960's Campbell's Soup dress that was inspired by the work of Andy Warhol. These were produced by Campbell's Soup as an effective advertising campaign when paper dresses were all the rage in the 60s. A classic example where fashion, art and industry intersect into one image. This A-line dress is printed with the Campbell's Soup red, black and white labels. At the back of the neckline is the original attached label that reads: "The Souper Dress/No Cleaning/ No Washing/ It's carefree fire resistant unless washed or cleaned/To refreshen, press lightly with warm iron/80% Cellulose, 20% Cotton."
 
source | lulusvintage

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A never worn 60's cream paper dress with mod black floral print.
According to the Smart Set Sportswear Co, this dress is perfect, "For Travel, Leisure, Work or Fun."
 
VIOLISE LUNN:heart:

Violise Lunn was born in Copenhagen in1969, and graduatedas a fashion designer in 1995 from Denmarks Design School . She has run her own studio in Copenhagen since 1997, where she specialises in the design and making of one of a kind pieces of clothing for women.

Evening wear, dresses, accessories, bridal wear and unique pieces of daily wear line the studio walls, as does a fantastic collection of stunning fabrics, brought home from Violise Lunns many travels around the world. The fabrics and the stories behind them are her main source of inspiration. Violise Lunn does not focus on trends, but on refining and emphasising the uniqueness in every textile used, in every piece of clothing made, and in every woman who bears the clothes. The personal touch and a very high level of sophistication is her trademark.

Alongside creating these wearable items, Violise Lunn's other passion is making unwearable items from the simplest textile of all: paper. Finding perfect freedom in this material through sculpting figure silhouettes, angels and her favourite theme: shoes, she allows herself to play with otherwise impossible compositions. Sheer lightness and utter fragility combined with experimental reflection about what these objects represent, amounts to such almost untouchable objects, that they have instantly become collectors items.

Allowing herself to divide her time between these two artforms, the usable and the useless, Violise Lunn lets them feed each other with inspiration. Their origin is the same – to permit dreaminess and the search for perfection.
A Violise Lunn garment, be it wearable or not, is timeless. References to both the past and fantasies of the future can be found, but far more important is that each piece struts a surprising and uplifting indifference to what else is going on in the world.
A number of highly respected awards have come her way. In 1999 she won the Danish fur prize ‘The Golden Fur Needle'. In 2000, she was awarded the ‘Golden Button'. In 2002, Carlsberg gave her the ‘Thimble Award'.
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source | violiselunn.dk
 
Violise Lunn - incredible.
the fine craftsmanship that goes into each detail blows me away.
 
Yuken Teruya cuts trees out of paper bags and cardboard tubes, creating forests of delicate branches and the shadows they cast. Initially the trees were cut out of carrier bags turned on their sides. The paper cuts were made from the top and the resulting tree was popped out to form a diorama framed by its own shadowbox, the bag itself. These bags span the range from high-end designer shopping bags to the ubiquitous Macdonald’s takeout bags and the cardboard tubes can easily be identified as humble toilet paper rolls. But the work itself is extremely precise, with the artist basing the cuts on photographs of actual trees.
[FONT=Verdana, Arial, Helvetica, sans-serif]The work Notice Forest shows the linkage between mass consumption and the forest. The use of paper products by fast food restaurants which typify the culture of consumption is one of the biggest causes of global environmental destruction. [/FONT]
[FONT=Verdana, Arial, Helvetica, sans-serif]In this work, Teruya tries to regenerate the spirit of trees. He is inspired by Aristotle’s philosophy of nature that regards the development of potentiality to actuality as one of the most important aspects to learn from nature. An example of this is when an acorn, which is a seed of an oak tree, begins to grow up, it already has within it the potentiality of an oak tree. Similarly a full grown oak tree is proof of the potentiality of the acorn. Teruya tries to give rebirth to the spirit of the trees by his technique using these paper products, since he believes that there is a spirit of the tree which is contained on the surface of these paper products which originally comes from trees.[/FONT]
teruya_mac_feb_07.jpg


noticeforest.jpg

MacDonalds

teruya_krispy_feb_07.jpg

Krispy Kreme

teruya_dior_feb_07.jpg

Dior

teruya_paper_rolls_feb_07.jpg

Toilet Rolls

Spikyart/mocoloco
 
Violise Lunn, her work is just perfect and amazing, i didn't know her, thank you MissMagAddict!
 
wow .. thanks for posting .. will help me loads with my college work thanks xx
 
hey gius! its' been a long while! I only saw this pieces today, they are so nice! Congrats! Are you still working in paper fabrics right now? Best! :rolleyes:]
no time lately, i'm afraid -_- i will work on it once i graduate in spring!:wink: now i'm experimenting with heat-shaping polyesters...

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Originally posted by SomethingElse

"Amate" by Nuno Corporation in Japan
a mix of paper with rayon & polyester

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Inspired by and named after a bark cloth traditionally made in central Mexico - this fabric looks like a crumpled, muddy leather.

Nuno literally translated from the Japanese means 'functional textile'. Reiko Sudo, artistic director of the company, makes the ordinary extraordinary by creating a melting pot of borrowed technologies, traditional hand techniques and innovative finishing processes.

Fabrics are dissolved, burned, boiled, ripped, scrubbed - aggressive processes resulting in fine fabrics.

Image below: Nuno fabric 'Amate', rayon, polyester and paper.
vam.ac.uk
 

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