The exploration of the everyday and the domestic, almost mundane (even when overwrought) interiors is so amazing. The prints are so intense and exciting yet at the same time cold, almost melancholy in their sharpness. I enjoyed how she offset it with humorous detailing that blended into the dresses as both a part of the picture and a luxe embellishment, bringing the trompe l'oeil forth into a 3D space. It will definitely fall into this season's '90s redux trend, with the once-in-a-gilded-frame-now-in-a-thrift-store fantasy interior prints. It was so opulent (as always) but it was wonderfully counterbalanced by something I can't quite place my finger on; the silhouette, the styling, the venue itself? I don't exactly know. I've been waiting for a collection like this for what has felt like forever, and Mary has finally delivered. It's hilarious and witty, a technical masterpiece and, most of all, extremely pleasing. She has really proved herself to be in London's top tier.