Pattie Boyd

I love all of the girls in the sixties with their bangs,nowadays I just don't think it looks too good on the girls-I guess it only helped with the babydoll dresses style back then-now it looks pretty bland with todays fashions.
 
I want to know how on earth they did their make up!
Honestly this summer ive spent alot of nights in my room trying to master the draw on eye lashes and all that but it never works.


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She Magazine 1964
 
pics from the pattie boyd yahoo groups - something about pattie boyd and pattie boyd's 60s style

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thanks for the pics:smile: I love that pic of her in the blue & green mini-dress under an umbrella!
 
^pleasure

here is an article from the 60s

16 Spec magazine, Winter 1967
by Ann Edwards
If you’d like to be like Pattie, from head to toe, here’s what you need to know!
She is today's girl. She is the girl most girls want to look like.

She is the beguiling, old-young mixture that most of today’s girls are - sweet and swinging, shy and sophisticated. And her big china-blue eyes, beneath a fine flaxen fringe, reflect today’s outlook - a “hip” innocence.

Pattie Boyd, George Beatle’s wife, is 22 and looks about 18. She has the kind of figure that turn eyes wherever she goes - slender and medium height, but rounded. And since she has a flair for choosing clothes that are a little ahead of today’s fashion, and for wearing them with the confidence they need, I got her to let me in on her own personal clothes philosphy, and to photograph her in her new clothes.

Although she is married to one of the richest young men in show business, and could pay top prices for everything, Pattie says the most expensive dress she ever bought cost $84 (it was a white crochet dress she bought in Paris).

Pattie wears her clothes a lot when they’re new, but she doesn’t want or - or go in for - clothes that last. She loves color in everything: shoes, dresses, handbags.
Enter your text here...
“I’ve all sorts of bags, large and small, but all in colors: pink, blue, mauve, purple,” Pattie told me. Her cocktail dress is more likely to be white or pink than black.

Pattie seldom wears gloves and her hats, when she wears them, are tiny and not very noticeable - just to finish off the outfit. She loves jewelry and doesn’t care whether it’s real or not. Her favorite is a cameo brooch, which she wears on a black velvet ribbon with a low-necked dress or pinned at the throat of a high-necked dress.
Pattie never wears long evening dresses except for theatre or film premieres, and she is
sure enough of her taste to buy a dress for about $12 if she likes it - or to wear a second
hand black velvet jacket with her evening dress. She bought one such jacket from a shop
which specializes in second-hand clothes stretching back to Edwardian times.

Pattie even had the nerve to order one of the new long-length winter coats. “I think
they’re super,” she said.

Usually, she wears her skirts three inches above the top of her knees. She wears no
foundation or powder on her face, uses a fairly complicated eye make-up of black
mascara and brown eye shadow, and uses a pale “Pan-stick” with lip gloss on her
mouth.

Pattie seldom goes near a hairdresser. “I haven’t been to one for ages,” she says. “I
can’t bear sitting under the drier. I wash my
hair myself every five days - the fringe more often - and sometimes I give my hair a dry shampoo between washes. If I think the ends need cutting, then I just get whoever is at home to chop them off - George, my sister, anybody.”

This was the charming sample of today’s most up-to-date youth who drove around in her bright, tangerine Mini with its souped-up engine, picking the clothes she would buy for winter. All her clothes were chosen for the kind of life Pattie leads, which - surprisingly - tends to be much like any other young wife’s life: shopping, cooking, working, having a few friends over for dinner.
"I’m not very keen on parties,” Pattie says. “I always used to imagine that I’d be meeting interesting people, but I know now I usually won’t. I’m lucky enough to know one or two interesting people now, so I’m very happy.”

And now for the clothes Pattie chose: 1. A bottle-green, double-breasted winter coat which can be buttoned up to a high neckline. It is made like a Guardsman’s coat, with the buttons slanting from the shoulders. (It was made by Foale and Tuffin,) Pattie had her coat specially made in the new mid-calf length.
2. A long, slim white bonded-crepe evening dress with a crinkle nylon organza yoke embroidered with white beads. (It was made by Jean Varon.)
3. A lightweight pure wool white, yellow and pink-flowered Liberty print dress on a delicious pale greeny-beige background. (It was made by Jane and Jane.)
4. A dark red corduroy trouser suit with an extra long jacket. It is trimmed with navy and fastened with large shiny silver poppers. (It was made by Quorum.) The suit is worn with a purple satin shirt made like a man’s (the shirt also comes in bright grass green and acid yellow.) The shoes worn with the outfit are maroon patent, with metal toe-caps and heels.
5. A white cloque cocktail dress with a high white satin collar and white satin bands down the sides and around the hem.
 
another article...

September-November 1965, 16 Magazine
By Pattie Boyd
Eyes
Your eyes are the most important feature of your face. Here's how to make them strikingly attractive - in three steps!
Since so many of you have asked over and over for details on how I make-up (especially my eyes) and how I do my hair, I have decided to devote a couple of issues of 16 to teaching you the details of my "beauty" secrets. This month, I will just tell you how I do my eyes - and how you may do yours, if you wish to. Next month, I'll go into make-up and hair.

So let's get started - and I suggest that you hold onto the Beauty Box "key"
photo on these pages, as all the items you see there will be discussed in 16.

As far as I am concerned, eyes are the most important feature of the face, and they require the most work. That's why I spend a lot of time on mine, and I hope you don't mind doing the same, and will be patient about learning how to make-up your eyes. Remember to get light on eye make-up, but to use great skill (acquired by practice only) and never try to do a good eye make-up job when you are in a hurry. It just won't work.

After you have cleaned, washed and dried your face, sit down before a well-lit mirror (and brush back your bangs if you have them, like I do!) and take a good look at your eyes. Look at the lids (upper and lower) and examine where the lashes grow in on the top lid. For today's lesson you'll need eye-liner, an eye-liner brush, brown and blue-gray eye-shadow, mascara brush and mascara.

The first thing you do is to moisten your eye-liner brush (it should be a good sable one with a fine point) and cover it with eye-liner (either liquid or paste - I use paste). Only experience will help you decide whether black or dark brown eye-liner is best for you. Black is usually best on everyone, but there are exceptions. Now gently, but firmly, make an even black line from your indside top lid going outward. Be sure to keep your lids lowered and concentrate upon looking at what you're doing with the other eye. You may need to use your other hand to pull lid taught to make a straight line. If you have a great deal of difficulty make a base line with a medium soft (razor sharpened) black eyebrow pencil, then follow that line with the brush. Practice making the end of your eye-line curve up or run out straight and downish. Choose whichever looks best on you.

The next thing you do is apply your eyeshadow. Keep a couple of basic colors on hand to blend with your clothes and coloring. I keep brown and blue-gray Use creamy cake eye-shadow and a firm, medium-blunt brush. Imagine a line straight from where the inside of your eyebrow starts to just above the inside corner of your eye. Start to gently brush on eyeshadow from that point, arching the line slightly upwards and keeping it just above the first crease in your eyelid. When you reach the peak spot in the middle, start sloping downwards, stopping the eye-shadow just above the end of your eyeline. This makes your eyes look very exciting!

Last of all, apply your mascara. Use black or brown, tube or cake. Lift eyebrows and put your head at an angle that feels right for you. Brush mascara on with upward and outward strokes. When it has almost dried, apply another coat, but don't allow lashes to "cake" together. I also put mascara on my lower lashes. be sure to try this out at home first, for it looks good only on very few girls. If it suits you, do it. If not, skip it.

Well, thanks for listening in - and do meet me here again next month (the October issue of 16 goes on sale August 19th), and we'll see if we can do something about that hair!
Hair
Since a girl's "shining glory" truly is her hair, I think it is very important to pay extra special attention to your "Barnet" - that's London slang for hair-do.

My hair is long, so I am writing this only for girls with long hair (or girls who plan to grow long hair). First off, cleanliness is the number one beauty secret when it comes to long hair - or any hair I s'pose. I usually wash my hair once a day. I dry it in a clean linen towel, then carefully and gently comb all the tangles out.

You will have to experiment with various shampoos to find one that is right for you. You don't have to use expensive shampoos. There are very good ones in your five and dime stores. I think a shampoo with olive oil added is good for most normal hair.

Just before my hair is completely dry, I give it a good brushing with a natural bristle brush. Be sure your hair is not still wet, or you will "stretch" it and break off the ends. When my hair is gleaming (still dampish), I take about eight big round rollers and carefully roll up the ends. I curl them over about three times. You have to use more or less turns, depending on how much natural curl there is in your hair.

When my hair is dry, I remove the rollers. Then I lift the hair at the top of my head and back-comb or brush it until there is enough teased up to give me a little "crown". next, I comb over the teasing gently until the crown looks smooth and neat. Now I comb my bangs down over my eyebrows and, holding them lightly, flicks the ends up so that I get a curved line (which is very flattering to the eyes).

Finally, I carefully comb the sides and ends, also flicking the bottoms up all the way around. The final move is to spray my hair thoroughly with a good, light hair spray. This holds it in place without getting it all gooey.

If you have trouble with this hair style, don't despair. Please keep trying and soon you will learn how to do what is exactly right for you and your hair type. Good luck!

Next month in the November issue of 16 Magazine, I am going to tell you my basic "face make-up" secrets. How to get that "pale look" and how to do your lips so that they look natural, but have a pretty sheen. Be sure to get the November issue of 16. It will be on sale September 21st.
Face
In the past two issues of 16, I have tipped you dollies on how to apply eye make-up and how to do your hair - if it is long. If you missed either of those two issues (September and October), turn to Page 65 and you will find out how you can order them through 16 Magazine.

Now it's time to talk about your face - it's care and beauty treatment. First off, you all know that cleanliness if a prime requisite when it comes to having a pretty face. Many of us have skin problems from time to time, and may require special creams or medicated make-up to keep those pimples from "bubbling" up. Serious skin problems, such as acne, should be treated by a doctor. Oily skin and blackheads can be combatted on a personal level by washing your face at least twice a day with a mild soap (rinse thoroughly), and by watching your diet. Foods that invite pimples and oily skin are soda pop, fried things, chocolate and coconut. Just about all the things we really love, eh? Well, if you want to have pretty skin, you just may have to make a few sacrifices.

A girl with normal skin should not wear make-up. It looks silly on a young teener, and the boys can't stand it. Here is what I do:

My skin is too fair for a foundation cream so I use only a little on my lips. I sort of make them the color of my face - and I'll tell you why later. if your skin isn't even colored and fair, you may use a light foundation. You can buy good ones in the dime store. Drop a drop or two on the inside of your wrist right there in the store and see how well it blends with your skin tone. After a bit of testing, you will surely find one that seems right for you.

Apply very little foundation to each cheek (with clean hands) and blend into your skin with gentle upward motions of your fingertips. It will take a little practice, but if you try you will soon have it down pat. If your skin is too oily for a foundation, I suggest a light powder or a fine coat of pancake make-up. This is put on with a damp sponge and should be exactly the color of your skin, so that it won't look like "make-up".

I have a roundish face, so the next thing I do is try to elongate my cheek lines. I have a large rouge brush which I lightly twirl in blush rouge and then gently dust some along each cheek just above the jaw bone. This gives the illusion of having a thinner, better-shaped face.

Now let's get back to the lips. After eyes, this is the first thing a boy notices about a girl. As I told you before, I put natural foundation on my lips. Then I take a moist natural pomade (you can buy it in tubes or in the jar) and lightly tap it on my lips. This makes them look completely natural, yet shiny. If I know I am going to be in a place where the lights are dim, I may use a little of the lightest pink lipstick I can find. Anything else looks ghastly on me.

As I said before, each of you will have to experiment a bit as you wrk out your own make-up problems. It's well worth the go, you know - and I wish you the best of look and lots of beauty!
 
From Nylon Magazine, February 2004. A two page feature showing Pattie Boyd’s sixties
style make-up and what products to use today to achieve Pattie’s signature look:

BEAUTY QUEEN

PRIVATE ICON

PATTIE BOYD
Sexy - in a demure, lip-biting sort of way - classic-rock
muse Pattie Boyd stood out in a roomful of skanked-out
groupies with her wide-eyed, British schoolgirl appeal. It
worked. She went on to marry two rock legends (George
Harrison and Eric Clapton) and inspire a stack of hit
tunes, from the air-guitar epic “Layla to the Beatles make-
out staple “Something.”

REVLON COLORSTAY LIQUID LINER
Pattie was most famous for her massive blue eyes, which she
knew how to play up. She was rarely seen without a thick,
precise line of black liquid eyeliner. $7.25 at Drugstores.

COVERGIRL SHADOWS IN SNOW BLOSSOM AND
SHIMMERING ONYX
How do you snag a Beatle? Two words: black eyeshadow.
Two more words: white eyeshadow. No self-respecting
muse would face the paparazzi without graphically mod
makeup - but stay with the basics. Bright colors are more
tacky than sexy here. $3 - 15 each, at Drugstores.

ESTEE LAUDER ILLUSIONIST WATERPROOF MASCARA
The secret to “Who, me?” sexiness is having long, feathery lashes
that you know how to wield like a dominatrix’s whip. Since lower
lashes are key to the equation, use waterproof mascara. This look
doesn’t work with football player-like smudges under your eyes.
$21, ESTEELAUDER.COM

TIGI WIPE OUT FIXX IT STICK CONCEALER
Freakishly perfect skin like hers is not about piling on the
foundation. It’s about covering up all the bad stuff and
showing off the good stuff.
$16, see TIGIHAIRCARE.COM for salon listings.

DIANNE BRILL LIP LINER IN RUFFLED PANTIES
She may have had a taste for over-the-top eyeshadow,
but Pattie kept the rest of her face neutral and matte.
This lip liner is the perfect nude-lips shade - no additional
lipstick needed.
$19, at Henry Bendel, 800.HBENDEL

GUERLAIN JICKY PERFUME
In “Wonderful Tonight,” Clapton sings about Pattie doing
her hair and makeup before a party - he left out the part
where she put on her signature scent, Guerlain Jicky, a
super-femme blend of lavender, jasmine, and vanilla bean.
$250, at SAKS FIFTH AVENUE.
 
starburst said:
thanks for the pics:smile: I love that pic of her in the blue & green mini-dress under an umbrella!

I adore that picture too!


thanks for all the new pictures!!
 
Patti's new book!!

PATTI'S REVENGE

The Daily Mail (London, England); 7/15/2006
Byline: PAUL SCOTT

She has been silent for 40 years. Now, tempted by a [pounds sterling]1 million pay cheque, the world's most famous rock chick is set to reveal every searing detail about her abusive marriage to Eric Clapton...

AMID the amphi-theatrical splendour of Verona's Roman arena, Eric Clapton was not a happy man. On stage in front of 15,000 adoring fans at the lavish open-air venue this week, he was plagued by the draining summer heat and a particularly persistent mosquito. 'As he's become older he gets miserable when it's too hot,' says a member of the 61-year-old rock star's entourage. 'He was bothered by the flies and his glasses kept steaming up.' Clapton's misery as he performed his classics Layla and Wonderful Tonight might also have been due, in part at least, to the woman about whom he wrote his two most famous love songs.

Holed up in her 17th-century cottage in the West Sussex countryside, Pattie Boyd, Clapton's ex-wife and the woman he stole from Beatle George Harrison, is working feverishly on her autobiography. The book, which will see Boyd finally break her 40-year self-imposed silence over her marriages to two of the biggest music stars of the 20th century, was described to the Mail by a publishing source this week as 'full and frank'.
In other words, in exchange for her rumoured [pounds sterling]950,000 advance, ex-model Pattie will be expected to dish the dirt about the sex, drugs and infidelities in her relationships with both the legends.
And to use the vernacular, 62-year-old Boyd certainly knows where the bodies are buried. Worse still for Clapton, her tome will go headto-head in a sales war with his own forthcoming (and, it is rumoured, highly sanitised) [pounds sterling]3.5 million life story. No wonder the guitar king is feeling the heat.

Pattie's account of her life with Clapton is sure to tarnish his image as one of rock's gentlemen. Particularly as, the Mail has learnt, she intends to lay bare the bizarre details of how the singer agreed to swop his own girlfriend for Pattie as a trade-off with George Harrison. She is also said to be planning to tell the full story about dark rumours that during their nine-year marriage, Clapton, battling an addiction to drink and drugs, was an abusive and violent husband who cheated on her with a string of women because she couldn't bear him children.

None of which is likely to make comfortable reading for the star - nicknamed Slowhand because of the speed of his hands on the guitar - who has become a father to three young daughters late in life thanks to his happy, fiveyear marriage to American-born former waitress Melia McEnery, 32 years his junior.
To compound his problems, Pattie's memoirs come at the same time that another lover, Italian Lori Del Santo, whose four-yearold son with Clapton, Conor, died when he fell from a New York skyscraper, is penning her own version of events, which will allege that Clapton dispatched an aide to persuade her to have an abortion when he discovered she was pregnant.
Hardly surprising, then, that the veteran rocker, who is already worth [pounds sterling]130million, is said by associates to be rueing his decision to accept the payday offered by publishers Random House for his musings on his life and hugely successful career.

'He realises he has opened a can of worms with Pattie and Lori,' a source close to him told the Mail this week. 'He is not too concerned about Lori, but he never thought Pattie would reveal the secrets of their marriage.
'He comes out of it pretty badly, but the truth is he should have let sleeping dogs lie and never agreed to do this book. He knows he's only got himself to blame.' Indeed, friends of Pattie reveal she decided to sign her own publishing deal with Headline Books only because she was angry that Clapton had broken his vow not to speak about their marriage. Already, she has employed Prince Charles's biographer Penny Junor to help her write it. Meanwhile Clapton's publishers are said to be furious over the news that Pattie's book will go directly up against his own when they both hit the shelves in the autumn of next year.

As one who has been researching their lives for several years for my own book on Clapton, I can say without hesitation that Pattie's is one of rock's great untold stories. Not only was she the muse for Clapton's finest work, she inspired first husband George Harrison to pen the beautiful Something for her. The public school- educated daughter of an RAF pilot, Pattie was a 20-year-old model when she was chosen to make a fleeting appearance in the 1964 Beatles film A Hard Day's Night. The well-bred trophy girl caught the eye of bus driver's son Harrison and the couple married in 1966. It was the blonde and toothy Pattie who spawned Harrison's interest in eastern culture and introduced The Beatles to the Indian mystic the Maharishi Mahesh Yogi in 1968.

But it is her description of her relationship with another Beatle, John Lennon, that will be most fascinating. Rumours abound among those who surrounded the group that Lennon and Pattie enjoyed a brief fling during her marriage to George. What is certainly true is that Lennon shared with his friend Mick Jagger a sexual obsession with Pattie, which he documented in a series of graphic diary entries. Indeed, the blatant flirting between John and Pattie at a party at London's Royal Lancaster Hotel in December 1968 led to singer Lulu stepping in to remonstrate on behalf of Lennon's longsuffering wife Cynthia.
Not that Harrison, despite his conversion to mysticism, was above the more earthly pleasures himself. He enjoyed an affair with Ringo Starr's wife Maureen Starkey during their marriage and his bed became familiar to a rotating band of groupies known as the 'Apple Scruffs' because they would hang around outside the group's Apple Corps headquarters on London's Savile Row.

But it was Pattie's relationship with Clapton that was to wreck her marriage to George. She and Harrison met the guitarist, then with Sixties supergroup Cream, at a party in Chelsea in November 1968. The two men became immediate best friends, but Clapton, who was living with his teenage girlfriend Alice Ormsby-Gore, the daughter of Lord Harlech, fell passionately for the lovely Pattie. When she rejected his entreaties for her to leave Harrison for him, he wrote the tortured love song Layla for her. Eventually, as George became more and more obsessed with the teachings of his new spiritual guru, Pattie fell into Eric's arms. They continued their affair behind George's back, even disappearing for trysts in an upstairs cupboard during candlelit games of hide and seek with an unsuspecting George at his huge Gothic mansion, Friar Park in Henley-on-Thames, Oxfordshire. It was not Pattie's first affair either.

In the early Seventies, Harrison and guitarist Ronnie Wood, who would go on to join the Rolling Stones, negotiated a wife swop, with Pattie escorting Wood on holiday to the Bahamas while George took Ronnie's then wife Krissy to his rented villa in Portugal. Harrison finally twigged that Clapton had 'done it' with his wife when he arrived at a party at the home of his then manager Robert Stigwood in Stanmore, Middlesex, to see his best friend and Pattie acting like husband and wife. Clapton, who by then was living with model Cathy James, confessed his affair with Pattie to George and told him bluntly that he wanted her for himself. Harrison's reaction was unexpected. He told Clapton: 'Whatever you like, man.' Then added: 'You can have her and I'll have your girlfriend.' Pattie fled in tears, but finally in 1974 she left George and moved into Clapton's Italian-style villa Hurtwood Edge in the Surrey stockbroker belt.

Astonishingly, the two men remained great friends. But Clapton's drinking and drug taking - not to mention his constant philandering - was soon taking its toll on his relationship with Pattie.
By the time of their 1979 wedding in Tucson, Arizona, the guitarist was in the midst of a monumental addiction to cocaine. Just days before he asked her to marry him, he had begun a fling under Pattie's nose with one of her best friends. She constantly forgave his affairs and his drinking sessions, which would start at 8am and last all day. But in 1982 she persuaded the star to check into the Hazelden Foundation drying-out clinic in Minnesota. Part of his therapy was to read out a questionnaire filled out by Pattie which chronicled the abuse she suffered at his hands while he was in the grip of his addictions.

Clapton was forced to admit to his fellow patients that he had beaten her up and forced her to have sex with him. His behaviour led Pattie into her own battle with the bottle. Hardly surprising, then, that to this day she prefers to forget another song he wrote about her called The Shape You're In, which chronicles her own alcoholism. But it was Pattie's inability to have children that proved the death knell for their marriage. Like Harrison before him, Clapton was keen to start a family, but despite fertility treatment she suffered a series of
miscarriages.

Meanwhile, Clapton began an affair with studio sound assistant Yvonne Kelly while recording in Montserrat in 1985, and she gave birth to his daughter Ruth. Pattie was kept in the dark about the baby. But when beautiful television presenter Lori Del Santo, with whom he had begun a tempestuous affair, presented Clapton with a son, Conor, a year later, Pattie moved out.

Clapton gave up drink for good, but the couple eventually divorced in 1988.
Pattie has consistently refused big money offers to tell her story about her relationships with the two rock stars, and remained on good terms with George until his death from cancer in 2001. Likewise, she stayed in touch with Clapton after their divorce and even attended the funeral of Conor in 1991. But friends say she has never fully recovered from his treachery and went into psychotherapy in a bid to come to terms with the collapse of their marriage. Nor, they say, was she 'made for life' by their divorce settlement and is wont to tell friends, who ask her how it feels to have been the inspiration for some of the most touching love songs of all time, that she would have preferred the royalties. It is said only partly in jest and she maintains that she had to find a job after her split from Clapton.

Today, she makes a living from photography and currently has an exhibition in London of her shots of her showbusiness friends. She has never remarried and lives alone with her cat following her split last year from long-term lover Rod Weston, a property developer. A friend explains: 'Pattie always said that she would never write her book despite hundreds of offers and she always said she was very keen to protect George's memory. But quite honestly she was very annoyed when she heard that Eric had decided to write his own book. Her publishers will, of course, love the fact that both their books, with their different recollections of the same events, will be coming out at the same time.' Christopher Simon Sykes, who is ghost-writing Clapton's book, told the Mail: 'It is always difficult when you get two people's version of the same story. He is telling his story, Pattie is telling hers. I spoke to Pattie last month and she told me she is saving her own memories for her own book, but she didn't tell me when it would be coming out. I suppose it will concentrate Eric's mind.' He also admitted that Clapton has insisted on censoring his version of rock history. 'Eric is not going to lay open his whole life,' Sykes said. 'There will be things he will keep private, because he says he doesn't want his entire life laid bare to the public. He will choose what he doesn't say himself. Eric and I are about half way through the book and haven't really got to Pattie yet, but he is incredibly generous about her.' Time will tell if Clapton feels so well disposed to his ex once he reads the no-holds-barred revelations of the woman he immortalised in song. In the meantime, just like during this week's performance, he'll have to keep sweating.

COPYRIGHT 2006 Solo Syndication Limited




 
i can't wait for this book...i do think she should have done the photobook instead though
 
"i need you" is also a song that george wrote aBout pattie... yes?
 
Such a beautiful girl, no wonder she had "Layla" and "Something" written for her. George & Pattie were always my favourite Beatle couple.
 

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