dbear1000 said:
I find her to be so incredibly beautiful, all though I don't know much about her. I would like to know more.
I would too

found this blurb on hayward.org.uk
Some of Lartigue’s most captivating images are of sensationally stylish ladies through the ages, including his three wives and his lovers. He married Madeleine Messager, (‘Bibi’), in 1919; they had two children Dani and Véronique. In 1930 Renée Perle, a Romanian-born professional model became both his companion and favourite muse for two years. He then married Marcelle ‘Coco’ Paolucci in 1934. He met his third wife, Florette Orméa in Monte Carlo in 1942.
so apparently, she was not his wife but rather his mistress.
Here is a picture I found on The Guardian's site along with a little bit about when they met:
The photograph above is one such: taken in June 1930 in the resort of Aix-les-Bains, it is instantly evocative of a carefree afternoon in the sunshine. The clear, clean water of that Savoyard lake looks particularly inviting.
Lartigue had met the Romanian-born Renée Perle, seen on the right of the photo, a year earlier.
Her exotic looks were an inspiration to the photographer, and her gorgeously shingled hair, dangerously manicured nails, and bemetalled arms are seen in many of his pictures of the period. Here, however, she is less the vamp, more the off-duty beauty.
from leicestergalleries.com:
Here is Lartigue's painting "Aquarium"
Aquarium was painted in 1929 during his marriage to Bibi Messager, in the dark years of the great economic crash. The soft hazy interior has a timeless serenity far removed from the financial crisis; the sculptural monumentality of the composition reflects the current Art Deco movement. In his photography, Lartigue played the game piege d’oeil, where he would spin around like a top and all of sudden halt and snap a photograph. The unusual viewpoint of the goldfish bowl is, perhaps, a piege d’oeil in paint; very different to the hard-edged, two dimensionality of his commercial portraits.(1)
The fishbowl re-emerges the next year, during his two-year affair with Renée Perle, a beautiful Romanian whom he had met in 1930. In a series of serene photographs, Renée gazes past the camera, her sleek ebony kiss curls and long-lashed doll’s eyes make her an icon of glamour and the first ‘real woman’ Lartigue claimed to have met. On pages of Lartigue’s personal photographic album, inscribed Novembre – Paris – (Renée – moi) he framed her elegant, jewelled hand calmly resting on the Aquarium.