Sabato De Sarno - Designer | Page 13 | the Fashion Spot

Sabato De Sarno - Designer

A very lacking evening wear range. And a little too reductive to past Gucci as well (even if I do like the actual original references they allude to).

Suppose this is also another ploy for Sabato and the suits to rub with more celebrity shoulders. They're happily cherry picking their way through celebrity ambassadors and faces with all their campaigns thus far so why not.
 
For the first time in recent fashion history, we will see one of the big brands use heavy marketing to sell the introduction collection of their new designer…
It doesn’t feels like it’s clicking.
Some pieces are cute, they are very Valentino in fact. The dress on Jlo which is supposed to be based on the SS2001, is terrible.

It will work well for the Beverly Hills crowd I think. But the hype needs to grow!
 
It’s quite boring. I understand they wanted to pivot from Alessandro but everything thus far has been dull. There’s no risk or passion which can be seen by how incredibly safe his proposals are.

the evening dress range reminds me of Frida but I can’t see him lasting as long. I would be shocked if the direction he’s shown so far gives the company the increase they are expecting.

It seems like Gucci wants to shed their trendy fashion brand image of sorts from what he’s doing
 
I’m rooting for him but to put out a collection of evening dresses that are basically re-iterations of one of the most glorious eras of Gucci as his evening debut doesn’t really imply confidence- neither in the force of his personal vision for Gucci nor in Kering’s trust in him. What a weird situation this is. I feel sorry for him, the pressure must be close to unbearable
 
I think these make much more sense than his campaign! I like the range I find it quite tasteful and pretty Valentino style much more than Tom Fordish.
He and the Guccis are trying to estabilish a Celine kind of tactic I think.
keep away from the trend on the catwalk, keep it young, clean capsule evening wear, recognizable language, personal.
He is not Hedi though….
 
I think these make much more sense than his campaign! I like the range I find it quite tasteful and pretty Valentino style much more than Tom Fordish.
He and the Guccis are trying to estabilish a Celine kind of tactic I think.
keep away from the trend on the catwalk, keep it young, clean capsule evening wear, recognizable language, personal.
He is not Hedi though….
Hedi has always, always had a wardrobe approach.
I’m failing to see that here. Really.
The people who are buying the eveningwear at Celine or who are aspiring to Celine eveningwear buys or aspire to the RTW already.
We will give more time to Sabato but I don’t see it here now.

I feel like he has not established a strong enough language for Gucci to already have a capsule eveningwear collection….Even more when he is not pushing the JetSet style.

Vuitton has an eveningwear collection for example. It’s for the 1% who buys the brand but they don’t necessarily advertise it.
 
A very lacking evening wear range. And a little too reductive to past Gucci as well (even if I do like the actual original references they allude to).

Suppose this is also another ploy for Sabato and the suits to rub with more celebrity shoulders. They're happily cherry picking their way through celebrity ambassadors and faces with all their campaigns thus far so why not.
Pinault bought the CAA talents agency, so there will never be any shortage of celebrities for sure, for events or campaigns.
There is definitely a shortage of design, skills, direction, imagination and vision.
A shortage of talent.

Now, I am dreaming to see Phoebe Philo at Gucci with carte blanche.
 
The more they ubiquitously push this new direction at Gucci, the more apparent and embarrassing it becomes there's hardly anything substantial or interesting to it.
It's quite extreme to see how much they already rely on celebrities, from debut show attendance to campaigns and events. Just in the past two months already Kendall, Bad Bunny, Paul Mescal, Billie Eilish and soon Miley Cyrus. Not exactly ground breaking but clearly lacking in vision and originality of other ways to market the brand.
It appears the strategy is just persistently overloading the public with both content and products and see what will stick.
 
The more they ubiquitously push this new direction at Gucci, the more apparent and embarrassing it becomes there's hardly anything substantial or interesting to it.
It's quite extreme to see how much they already rely on celebrities, from debut show attendance to campaigns and events. Just in the past two months already Kendall, Bad Bunny, Paul Mescal, Billie Eilish and soon Miley Cyrus. Not exactly ground breaking but clearly lacking in vision and originality of other ways to market the brand.
It appears the strategy is just persistently overloading the public with both content and products and see what will stick.
I know we shouldn't use this as the sole metric for a brand’s ethos but the current gucci instagram is almost 100% celebrity posts—it’s so boring and artificial. love him or hate him, alessandro’s gucci had so much soul and imagination, and their social media used to perfectly reflect that. sabato has nothing to say it’s painfully obvious
 
the dresses on Vittoria and Mariacarla look gorgeous too!

hopefully Vittoria will remain in the SS24 ad campaign alongside Mariacarla, Abbey Lee and Daria.
a man can dream.

 

Brand Before Fashion, Not The Reverse​

Ever since the Tom Ford and Domenico De Sole days in the 90s, Gucci has made it a habit with each subsequent creative director and CEO team to completely remake the brand image without necessarily honoring the brand heritage. That was the case following Ford and De Sole, through the latest team of creative director Alessandro Michele and CEO Marco Bizzarri, both of whom were let go this year.

Now Sabato De Sarno has been appointed creative director, but a permanent CEO has yet to be named. Rather, CEO Francios-Henri Pinault’s “right-hand man” Jean-Francois Palus has been installed to makeover the brand on an interim basis.

“Great luxury brands have a way of creating continuity and evolving their storytelling as creative directors come and go,” said luxury brand advisor Susanna Nicoletti. “For Gucci, new creative directors seem to destroy the past just to realize their own vision of the brand. Even if they are successful, it won’t last.”

The fact that Gucci appointed a new creative director before a CEO suggests where the brand’s emphasis is: on the instant gratification of fashion before the enduring legacy of the brand.

“The idea is if you give an eccentric creative director full control to do whatever he wants, there can be success with no limits. But that is not true,” she continued.

“The truth is the more you invest in the brand value – when you put into the brand DNA, brand values and brand message – the more you can hope to survive even in the worst economic or geopolitical situation as we have now.” And she added, “You don’t build a sustainable luxury brand when you follow the trends.”

Nicoletti points to Karl Lagerfeld and his tenure at Chanel as the best example of how the creative director must serve the luxury brand, not the other way around. “Karl didn’t invent anything. He didn’t disrupt anything. He just magnified the brand DNA, brand values and brand roots. He made an incredible contribution by putting Coco and Chanel first, even as he was larger than life.”

“A luxury brand is like a tree. It can’t thrive without deep roots,” she concluded. “You can’t keep uprooting it and transplanting it and expect it to continue to grow. That’s what Gucci has done and looks like it is doing again.”
Forbes
 
The more he tries the less he'll stay there. Few more stunts like this transplant "eveningwear" debuting after the collection (wtf?!) and he is out in no time. I'm quite impressed by how he already managed to waste "PR" credit from fashion world like anticipation, trust, curiosity etc. Now, few weeks after his debiut, nobody cares and, even worse, nobody is waiting for men's show in Jan.
 
Gucci is moving its design studios back to Milan from Rome ...

Gucci employees strike: What's at stake for the Italian fashion titan?​

By Andrea Carlo
Published on 27/11/2023 - 07:35 • Updated 15:10


Gucci employees are striking in Rome over what they claim is "collective dismissal" by the company. But a lot more could be at stake for the Italian luxury brand, including its upcoming fashion show.

Italian fashion powerhouse Gucci has become widely synonymous with luxury and glamour, but it has also been unable to escape controversy.
In its 102 years of history, the brand's name — taken directly from its founder, Guccio Gucci — has been dragged through a myriad of widely publicised scandals, ranging from accusations of racially insensitive designs and tax evasion to the murder of its former head by his ex-wife — the source of recent silver screen treatment.
Now, the Florence-based titan is finding itself in hot water with staff striking in protest against a recent decision they deem tantamount to a collective dismissal.
So what is the cause of the ongoing "stitchuation", and possible repercussions for the brand? Euronews Culture investigates.

Why and where are workers striking?​

Gucci, which is currently owned by French multinational Kering after its founder's family relinquished control in the 1990s, employs 20,711 individuals around the world.
Despite its French ownership, it remains a firmly Italian-based company, with its headquarters in Florence, offices in Milan and Rome, and 95% of its manufacturers in the country.
It's in Italy's capital where a recent company decision to transfer 153 out of 219 employees to Milan has caused a significant upset, with employees taking to the streets to voice their discontent.

Euronews Culture spoke to Gucci employees who claim that the decision was officially communicated in October, with selected individuals being told to relocate come 1 March 2024.

The workers in questions allege that they were not given the proper conditions to adjust to such a move (including salaries adjusted to Milan's higher cost of living) and found themselves having to leave family and home without viable alternatives.

According to one trade union rep, that asked to remain anonymous, this amounts to a "collective dismissal in disguise".

"We have tried to speak to Gucci's HR, but have not received any response," they stated.

"It feels like being caught in a blender," one employee told Euronews Culture.

"We've been living in anxiety for months after seeing estate agents and prospective buyers come to the Rome offices, but our fears were confirmed after the summer holidays," they added. "We were forced to relocate with no alternatives being provided for us here in Rome. I have built my life here and have bought my house — this leaves me in a very difficult position."

Consequently, over a dozen workers protested in Rome's Piazza del Popolo on Friday 17 November, hoping to raise awareness of their situation.

"Gucci cuts but it doesn't sew", one protester's sign read.

"The luxury of not losing your job," read another.

A larger protest in Rome is planned for this Monday, to which members of the press have been invited.

The controversy has also made its way to Italy's parliamentary chambers, with two left-wing MPs — Nicola Fratoianni and Franco Mari — raising the issue in the country's lower house last Friday.

"Gucci announced [the decision]... without consulting trade unions," they stated. "This warrants an immediate intervention on behalf of the Ministers in question to understand what are the real intentions of Gucci and Kering."

"There are around 220 employees, but there are also 100 workers including receptionists, the security, maintenance and shipment teams, that are even less protected", they added.

It's not the first time that a Kering-owned company has been accused of collective dismissals. Last year, luxury menswear label, Brioni, saw Italian trade unions mobilise after 24 of its employees were fired.

What are the possible implications for the brand?​

But what may seem like an internal labour dispute, nevertheless could, protesters allege, have an impact on the brand's image and upcoming designs, especially for its January collection.

"The protests will continue all of this month and the next too, and this will probably have a bearing on January's fashion show," Gucci's Rome trade union representative claimed.

According to the rep, what could truly cause the brand's January show to grind to a halt is if the production team in Tuscany is affected — and that is not off the table.

"[Gucci] is starting to make cuts to production as well, that is the industrial sector in Tuscany," they added, stating that the protests were spreading beyond Rome.

For another Gucci employee in Rome, the impact was less linked to possible issues with the production sector, but rather to the design team's emotional and psychological well-being.

"It's possible that some damage will be done to the January collection," they stated. "I'm surrounded by workers who are drained, who just can't handle it anymore."

Some other strikers are less optimistic regarding a tangible impact, claiming that too many employees, especially in Milan, are fearful that it could impact their jobs, especially as walkouts are relatively rare within the fashion world.

"Everyone is too scared", one Rome-based employee told Euronews Culture. "I've seen some appalling situations... colleagues I speak to say 'it's not possible to go out and strike, in our field of work.'"

"But it's time now for us to open our mouths."

Next January's fashion show is a particularly important moment for the Italian fashion house, as it represents the first winter/fall collection of Sabato De Sarno, Gucci's newly appointed creative director.

In response to the claims Gucci released this statement:

“Regarding the protests related to the transfer of the Design Office from Rome to Milan, Gucci confirms that this transfer was announced to trade unions in early October. It does not involve any staff reductions and will be carried out in full compliance with current regulations.

In this regard, the Company has introduced a set of measures, encompassing both economic incentives and active support, designed to facilitate the relocation of all employees involved. These measures are notably more favorable than those stipulated in the Italian national collective agreement.

With the move to Milan, the Creative Director and the different teams involved will have the opportunity to collaborate closely with the strategic functions of the company already based in the city, thus maximizing the necessary interactions and synergies.”
EURONEWS
 
Its Frida Giannini that moved the creative studio to Rome, historically it has always been in Florence, I don't see what Rome has to offer these days, such a dislocated city;
 

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