Share with us... Your Best & Worst Collections of Haute Couture F/W 2025.26
This is interesting without any vulgar or diabolical elementWhen pants look like you are living inside them, instead of just wearing them, there is a problem for me...
Isn't Sacai a huge name in the streetwear/hypebeast scene though? Abe has done a ton of collabs (APC, Nike, Levi's, Carhartt, Moncler, Dior, a f*cking HC collection for Gaultier) and has several accolades under her name. Ami only really has its commercial success to justify its existence.^^^ To me, it's the pretentiousness and hypocrisies of fashion industry. If any big fashion houses offered the clothes like these, the presses would definitely eat them up. The buzz is low because this label is simply not "important" enough. The discrimination is just too loud lol.
Even bland labels like Ami got more attentions, it's insane if we think about it. If you are not France/Italy/UK labels, then good luck!
Sacai is a huge brand.^^^ To me, it's the pretentiousness and hypocrisies of fashion industry. If any big fashion houses offered the clothes like these, the presses would definitely eat them up. The buzz is low because this label is simply not "important" enough. The discrimination is just too loud lol.
Even bland labels like Ami got more attentions, it's insane if we think about it. If you are not France/Italy/UK labels, then good luck!
She is a respected designer fs and her label is also fairly favoured by the hypebeasts. And I’m quite certain that her brand has been far more commercially successful than many designers who get far more critical attention — like Haider Ackermann or Olivier Theyskens (I admire both, and I fully agree they possess a deeper aesthetic sensibility).Isn't Sacai a huge name in the streetwear/hypebeast scene though? Abe has done a ton of collabs (APC, Nike, Levi's, Carhartt, Moncler, Dior, a f*cking HC collection for Gaultier) and has several accolades under her name. Ami only really has its commercial success to justify its existence.
Even if I don’t agree, I think your are making very interesting points.What I’m trying to say is: certain brands from Japan, the U.S or the Middle East seem more focused on serving their actual clientele, rather than chasing recognition as forward-thinking auteurs. But then, why do we still insist on dividing the industry into two camps — the “client-focused” versus the “pushing-fashion-forward labels” — as if a commercially grounded brand can’t offer thoughtful, relevant propositions? In many cases, their output feels far more meaningful than the empty theatrics coming from people like Pieter Mulier, Willy Chavarria, or Dilara.
I think PR plays a massive role in shaping the narrative, and that’s precisely why fashion has never been a balanced playing field. Talent alone means very little when you don’t belong to the right social ecosystem. Vauthier is a prominent example.
I can´t see myself wearing huge pants like these ones...some of the jackets yes; but the pants no way! I´d feel like a little child wearing my father pants!!This is interesting without any vulgar or diabolical element
It's fun simply fun to watch and wear
That's the point of fashion
Wich is really refreshing in today's world of fashion