Steven Meisel - Photographer | Page 47 | the Fashion Spot
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Steven Meisel - Photographer

i think steven meisel's editorials are the best
when he works with edward enningful
 
Part 1

Magazine: Vogue Italia - Unique Supplement
Issue: March 2005
Title: Couture
Models: Lydia Hearst, Malin Martensson, Kim Noorda,
Ilona Kuodiene, Barbara Fialho (I can't ID the other models, sorry)
scanned by me







 
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OMGOMGOMGOMGOMGOMG I've wanted to see this ed for so long, thanks so much :flower: :D :woot:

BTW I only know Lydia Hearst, can someone tell me the girls in the 2nd, 6th, 11th in the first post and 3rd and 8th in second post :flower:
 
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In the first the 11th with the pink outfit would be Kim Noorda.
3rd is Marta Berzkalna and 8th is Malin Martensson.

That's a nice editorial indeed but those faces vanished so fast it's really sad.
 
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^the 11th is Kim Noorda and in 8th is Malin Martensson. :flower:
I would love to know the name of the other girls too...


edit: thanks Marcel! But I really think the 8th girl is Malin Martensson.
 
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^Thanks! Thats really exciting

Magazine: Vogue Italia - Unique Supplement​


Issue: March 2005
Title: Couture
Models: Lydia Hearst, Malin Martensson, Kim Noorda,
Ilona Kuodiene, Barbara Fialho (I can't ID the other models, sorry)
scanned by me

This is one of my fave Meisel eds ever! Thanks for scanning! Anne Marie van Dijk and Agnieska W. (sp?) are also part of this ed.
 
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^I commissioned my mother to get it for me because she will be at the train station in Stuutgart tomorrow but 032c's website doesn't give any information where exactly you can find the magazine.

I hope the rest of the magazine is good too because it is very expenssive for a German magazine in Germany.
 
pipoca and kasper! you are ruling my world right now:woot: :flower: :heart: :kiss:
 
http://themoment.blogs.nytimes.com/2008/12/05/now-scoring-steven-meisel-in-032c/

Now Scoring | Steven Meisel in 032c

By Victoria Camblin

meisel120408.jpg
When the latest issue of the Berlin-based art and culture magazine 032c hit our desks here at T, we were ecstatic to discover that the notoriously press-shy photographer Steven Meisel had granted a rare interview request for its “Post-America” issue. Here Victoria Camblin, 032c’s assistant editor, discusses scoring a conversation with one of the most important imagemakers in fashion and why Meisel is very much still a plain old New Yorker at heart.
Steven Meisel is an epic photographer, and a profile on such an epic photographer has to be monumental, too. It has to somehow do justice to his not only massive but also massively important body of work—especially when what you are doing hasn’t really been done before, when you’re profiling someone who in the past has given so few interviews. The piece becomes historical, but how do you convey that in print? 032c’s answer to this was a 14-page fold-out section that kept the production quality high: when you hold this issue in your hands, and when you pull out this colorful, fold-out archive of two decades’ worth of Vogue Italia covers — all shot by Meisel — you experience a lush, compact moment of “Print crisis? What print crisis?” It’s a Technicolor Vogue accordion, but it also has a certain grace, which is very much in line with 032c’s changing from what T Magazine itself once called the “new ugly” and channeling that into our own kind of energetic classicism.

vogue120408.jpg
There is a “Wizard of Oz” element to the Meisel interview to me; it creates this image of Meisel as a generous but still very elusive power. A photographer you have to call icons like Naomi Campbell and Linda Evangelista to get an impression of — or even a photographer whom icons like Naomi Campbell and Linda Evangelista will enthusiastically give their time to talk about. Still, when I asked Alex de Looz, 032c’s New York contributing editor, about his conversation with Meisel, he told me that as elusive as he might be, there is very much the sense that the glamorous world Meisel portrays and admires and indeed shapes is one through which New Yorkers walk every day. “I know the street where he saw Loulou de la Falaise, and I know the place he went to art school,” Alex pointed out. “Speaking to him was like talking to a fellow New Yorker: down to earth, to the point and friendly, no fuss.” The models, perhaps not so much: “They sounded like bubble gum and diamonds all rolled together, and I think it was because they love Steven so dearly. They radiated total devotion and not one ounce less.”
For more information, go to 032c.com. Issue 16, featuring the interview with Steven Meisel, is on newsstands now.
 
I want to read that interview SOOO badly!!! But I wonder - will it be in German?

But I want to her what he has to say about his work in the last 5 or so years! Honestly, I don't care about Meisel's work in the 80s/90s. Its his work in the recent decade that is genius and iconic.
 

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