Not Plain Jane
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^ Yeah and I think she's critical of how shallow Marie Antoinette is too, and how removed she is from reality. And yet at the same time I think she blames part of that on the royal traditions and how cloistering they are - look at all the pomp and circumstance, the young girl being given over at 14 etc. Not that this justifies her absentee attitude leading to the revolution but one can see how the culture made her that way to a degree.
Also, in Virgin Suicides, clearly the girls are naive, dreamy, and even somewhat snotty, but it becomes clear that a lot of that comes from them being virtual and then literal shut ins - much like Marie Antoinette.
Definitely Sofia looks at the effects of insularity in Virgin Suicides (overbearing parents), Somewhere (fame), and Marie Antoinette (royalty) but even to some degree in Lost in Translation as well since Charlotte and Bob are in a new culture. In all of her films there are brief but illuminating moments of escape (the prom; the trip to Italy with his daughter'; the masked ball or the summer house; and the night out with the locals) when the characters see a possible way out. It doesn't work for the girls in VS or for the queen in MA as they die, but in Lost in Translation and Somewhere, while neither end "happily" there is the suggestion that these characters will change, that they'll find what they're looking for, that they'll get "un-stuck."
Also, in Virgin Suicides, clearly the girls are naive, dreamy, and even somewhat snotty, but it becomes clear that a lot of that comes from them being virtual and then literal shut ins - much like Marie Antoinette.
Definitely Sofia looks at the effects of insularity in Virgin Suicides (overbearing parents), Somewhere (fame), and Marie Antoinette (royalty) but even to some degree in Lost in Translation as well since Charlotte and Bob are in a new culture. In all of her films there are brief but illuminating moments of escape (the prom; the trip to Italy with his daughter'; the masked ball or the summer house; and the night out with the locals) when the characters see a possible way out. It doesn't work for the girls in VS or for the queen in MA as they die, but in Lost in Translation and Somewhere, while neither end "happily" there is the suggestion that these characters will change, that they'll find what they're looking for, that they'll get "un-stuck."