wild roses
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- Oct 12, 2010
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.The truth is pain is pain, is ugly and raw, but the rawness and ugliness at the same time can be incredibly beautiful, cause its real, cause its what life really is. It's can be pretty, beautiful and ugly. There are so many layers to it and that makes life and art fascinating. Art is sublime, but it dosen't mean it has to always be pretty
Exactly. That's why I love Ingmar Bergman Bergman, because his films are unnervingly beautiful, but he's not afraid to show that rawness. Sofia is. Like in MA. We see a scene of MA collapsed against the wall sobbing, and 5 seconds later, it's loud music and food/fashion p*rn. In a Bergman film, he would keep probing the darkness, he wouldn't provide a filler to make you forget the rawness.
I think Sofia is actually more akin to Ozu. Except even Ozu doesn't shy away from confrontatation or change. Like in LIT, when asked about the self-help tapes by Bob, Charlotte embarrassingly says she doesn't know who owns them (insert me rolling eyes so hard). Ozu's films show how and why denial shouldn't be romanticized, whereas with Sofia denial is the main the reason.
BTW: I do think Sofia presents her main characters as flawed ,but I think she expects us an audience to overlook their flaws. Like it's always someone else's fault fault. Not Plain Jane said something about their problematic circumstances being external. That to me is an example of Holden Caulfielding. Of course, we the audience know HC and like characers are flawed, but Holden doesn't see himself as seriously flawed...he just needs a change in situation to make everything better. Charlotte knows there's something wrong with her marriage, but she doesn't examine how her constant clingingness, judgmental character, and lack of life outside her husband might be contributing. She doesn't think it's her, she thinks it's him. Same with Bob. He knows his marriage in trouble, but does he examine his factors. Nor, instead the film trivializes his wife. We the audience are allowed to admit Charlotte and Bob have flaws to make them "real" but we're not supposed to focus on their flaws, but those surrounding them making the characters miserable.