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After watching the trailer though, I'm thinking coppola might disappoint me again. I honestly love the tone and visuals of her films but they are usually characteristically depthless. There's only so much you can milk 'pretty sad people........'
Anyways, in particular regard to "The Bling Ring", I remember when the series of robberies were being investigated and had no idea about the backstory behind them at the time. After reading the VF article, the 'bling ring' as a bunch of fame-obssessed teenagers is quite fascinating and glamorous and wicked all at the same time. All the goldmines of plot, climax, and character development are already laid out clear for her and I really hope coppola does justice to the different potential facets of the story there's to tell.
It seems that the screenplay is following along with the VF article in using Neiers as the main character, so my biggest fear is that it's going to conclude with some kind of moral lesson or "karma" when, in reality, these teenagers probably learned next to nothing since they come from well-off, well-connected families who are able to pay bail and avoid jail time. These teenagers worshipped these celebrities (that they stole millions of $$$ of jewelry, designer clothing, purses, etc.) yet at the same time still managed to strike a big F-YOU to Hollywood and young celebrity culture. B)
Coppola tends to be pretty lenient if not indulgent of 'celebrity' (la di da she's a coppola, afterall) so I'm sure she paint the obsession and candor but hopefully reaches for more critical, complicated storytelling to portray the crassness of the young, rich, and talentless "victims" aka the Hiltons and Lohans that aspired the criminals. That would be a film worth watching. B)
Idk, from what I read of the script, the film seems to focus primarily on the Marc and Rebecca characters. If anything, Marc's the focus of the film and how everyone dragged him down and caused him to spiral out of control. Emma's character does have a vital role throughout though. What I seem to understand is that the film and advertising are relying on Emma, since she is obviously the one that'll bring a strong viewership to the film. C'mon, it's Emma Watson. With her, you can't go wrong in getting views and thus it appears the film revolves solely on her.
Well, I'm no one's judge and I don't know many of the facts, but based on my understanding of what happened, those sentences seem about right.
Apparently, Alexis has turned her life around, is sober, and is studying to be an abuse counselor of some sort.
Though I'm usually in high favor of Coppola's casting choices, this time 'round I'm pretty apathetic. I know there's a lot of love for Emma Watson on this forum but I'm indifferent to her acting abilities. I'm not surprised by her casting though, Watson is usually characterized by pretty genteel performances as far as I know from "Perks of Being a Wallflower" and the "Harry Potter" series (wasn't a fan of either hence the indifference) and that would fit along nicely with Coppola's films.
This thread isn't about Rupert or even Emma for that matter. It's about the work of Sophia Coppola. Emma isn't even the main character in The Bling Ring. She's tweeted this herself. Katie and Israel's characters are the main ones. Emma's just a supporting role. But I think Rupert's new TV show sounds awesome. Even Stephen Fry is involved. And I think most would agree that TV is where it's at these days. There are so many amazing TV shows on right now or coming up; whereas, film is very much hit and miss. If its not some predictable action flick with explosions and the objectification of women, its a book adaptation, or a remake. Originality in film is very rare these days.
That said, Im still excited about this movie for reasons stated in my previous post. Plus, it's Sophia Coppola. I think this movie will surprise people. It's not gonna be what people expect...at least I hope not.
So I watched Jim Jarmusch's Mystery Train recently, and couldn't have been more impressed with him. He found humanity where Sofia found weirdness. He found common bonds while Sofia only saw exoticism. Jim Jarmusch is from the Midwest (Ohio, to be exact) but he was able to capture Japanese people in a way that Sofia, a daughter of the Hollywood elite, couldn't.
(The first segment of MT deals with a Japanese couple visiting Memphis to explore the famous sites.)
And the fact that he was so respectful makes me even more weary of accepting any excuses for Sofia's xenophobia. (Which isn't to say that Jim Jarmusch isn't capable of producing crap. 'Dead Man' is basically a just a Hipster's Romanticized and New Agey version of the West. And very problematic on many levels.)