Benn98
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Speaking of John Waters...saw Pecker again last night. One of his most underrated films, along with Cecil B Demented and A Dirty Shame. I was surprised to read that Pecker was actually marketed as a mainstream film, and tanked at the box office. That was a silly move because it's anything but mainstream.
And if you're not convinced that Waters actually loves the fashion industry, watch this film. There are quite a few references, from the lady getting told off while trying to dye her clothes at the laundromat.... 'what must I do, I don't have any fall colours'
, to Vogue doing a shoot with homeless which obviously pokes fun at them more than the homeless, to fashion's favourite artist, Cindy Sherman's blink-and-you'll-miss-it cameo. I'm sure he approached Anna to be part in this, but in 1998 she wasn't in the habit of 'ruffling feathers.' That only really started when she put Kim Kardashian on the cover. I'm sure if the offer turned up in 2019, she wouldn't think twice though.
It's a great, witty satire. Edward Furlong is dopey yet lovable but it is the bit actors who drew most of my attention. From the bitchy grandma, the clichéd art clique, to the lesbian and gay bar angle which were as usual hilarious, to Waters regular ensemble, who were in top form. I mean, Mink Stole only had one scene and she very nearly stole the entire movie. Same with Patricia Hearst.
And if you're not convinced that Waters actually loves the fashion industry, watch this film. There are quite a few references, from the lady getting told off while trying to dye her clothes at the laundromat.... 'what must I do, I don't have any fall colours'
, to Vogue doing a shoot with homeless which obviously pokes fun at them more than the homeless, to fashion's favourite artist, Cindy Sherman's blink-and-you'll-miss-it cameo. I'm sure he approached Anna to be part in this, but in 1998 she wasn't in the habit of 'ruffling feathers.' That only really started when she put Kim Kardashian on the cover. I'm sure if the offer turned up in 2019, she wouldn't think twice though.It's a great, witty satire. Edward Furlong is dopey yet lovable but it is the bit actors who drew most of my attention. From the bitchy grandma, the clichéd art clique, to the lesbian and gay bar angle which were as usual hilarious, to Waters regular ensemble, who were in top form. I mean, Mink Stole only had one scene and she very nearly stole the entire movie. Same with Patricia Hearst.
, but trying to put that aside, or just trying to rationalize it, it’s completely justifiable and the way the story is layered is excellent.. all fun and games until it gets heartbreaking. That chill detachment vs. hardship is so easy but somehow worlds apart in terms of how we decide to exercise empathy. The end couldn’t be truer for most.
. So good, same for the gorgeous costumes. And I constantly feel the need to doubt Timothee because he kind of comes off as boy band member in interviews but you can tell he's received excellent training and really cares about his craft, he carries the evolution of the character to perfection but the last 3 scenes of the movie in particular.. he just conveys so much with [seemingly] minimal effort. 
on that one.