I documented my personal favourite dresses from Olivier after having thought of all the shows I have seen of his, both at Rochas and Nina Ricci. I think while the pictures at Nina Ricci, with the beautiful backdrop of the winter Tuilleries gardens and the feather-y hair, give the collection a certain fairytale quality, the clothes themselves didn't translate into that sort of airy attitude.
All pictures from style.com or catwaling.com
I adore the way he translated the concept of clouds not only in the multi-layered use of printed silk and tulle, but also in the way these two dresses would blow up when they are in motion. These dresses absolutely come alive when worn, and I think this was a magic that was not found in any of his dresses at Nina Ricci.
Olivier is a storyteller at heart and I think he captured the waterlilly-mood best not only in the colours but also the subtle flower detailing on that dress. The fluidity of the fabric literally added to the impression of Monet's Giverny gardens.
These are some of the most beautifully tailored sleeves I have ever seen. They moved very gently with every step that she took during the show. I think he really succeeded with this collection to propose a new approach towards minimalism, using texture and very subtle but forceful details, rather than overdoing a dress with too many details.
The colour of this and the poisonous green long skirt had such a radiant, distinct shine, and I absolutely loved the juxtaposition of that heavy-weighted stretch fabric with the hairy mohair yarns inserted into the seams.
A timeless and beautiful tiered chantilly lace gown.
I loved the way he dealt with the 'inside out' theme in this collection, without making the clothes look too painfully theoretical, rather than beautiful. The seam allowances appear like abstract ruffle cascades in here.
Notice how the outer dress is sewn so that it appears as if the fabric was actually molded around the corseted under dress.