I'm kind of scratching my head at why people think her covers are really good. I honestly don't see anything worthwhile in either cover.
The subscribers shot makes me glad I’m not a subscriber - but once you have the actual issue, the contents eclipse the cover, which does act a good guide for what you’ll see inside, in terms of the promise of glamour, but there are better shots of Renee in the feature.
There are only two fashion editorials in this issue, but that doesn’t mean it’s lacking in content, instead there are a myriad of features throughout the magazine, which gives you a lot to look at. The overall design is as deeply luxurious as ever - and all the preview shots for the December issue seem to promise the same, with a thousand more sequins sewn on.
Main issue - 272 pages
Beauty supplement - 36 pages (a collection of A/W 10 backstage images, and product shots)
The inside front cover is a 4 pg Gucci cruise gatefold, and there’s also 4 pgs of Georgia Jagger for Chanel. The Balenciaga perfume ad is on textured card.
Aside from the fashion/shopping content,
Snapshot sees Don McCullin recalling a day when he worked with the Beatles. He didn’t like Yoko.
Sister Act is an interview with Lily Allen and her half-sister as they prepare to open their new store. The
Art Power 20 is special section, sponsored by Tiffany, which profiles women working in the sector - curators, directors, artists and gallery owners.
The
Renee article paints her as sunny and spirited, although she’s more film noir in the accompanying photography. The first editorial is a simple b/w studio shoot, and the second has Meghan Collison lounging around a pseudo-Peruvian landscape in folklore fashion.
The
Bryan Ferry feature has one page of vintage shots (including Jerry Hall and Amanda Lear), and one page with more modern ones (including the Kate Moss album cover) - and an interview which makes great mention of him being a performing introvert who’s sad about the past but optimistic about the future.
The
John Galliano in Shanghai feature has posed shots from backstage at the recent show in the city. It’s a nice little feature, but the models all look like little girls playing dress-up in sickly-pink Dior.
Rise Of The House Of Chapman is a look at Dinos Chapman’s new family home, which seems to be a hybrid of a hunting lodge, a modernist hotel, and an industrial art museum.
The
Taboo feature invites writers to talk about subjects that people don‘t talk about, with photography by Guy Bourdin, to celebrate the publication of a new book about him. The
Beauty section examines psychological approaches to eating, while the
Travel section goes to Vietnam. Kate Moss and Jamie Hince open the
Flash! pages, and Bella Freud does the
Why Don’t You..? at the end.