Vogue Hong Kong May 2023 : Vivienne Rohner by Leslie Zhang

[Paul Lintag]

Print Cover #1, #2 & #3 with Vivienne Rohner by Leslie Zhang:

 

[Hafyiez wafa]

Digital Cover #1 with Amy Lo by Leslie Zhang:



Digital Cover #2 with Aokab by Leslie Zhang:



Digital Cover #3 with Natalie Hsu by Leslie Zhang:

 

[Hafyiez wafa]

 

[Paul Lintag]

The rest are Digital Covers. The Vivienne ones are the Main, in Print covers

 

[Bertrando3]

They are ok, inoffensive somehow.

 

[oaklee91]

I like them. Very cinematic.

 

[romervogue]

 

[Urban Stylin]

Love Vivienne's covers and ed, the mood is amazing. The other covers are too commercial for the mood but I love the second image of each.

 

[crmsn]

If they can book these models and stars on their covers, how come can't they buy license of great fonts that would elevate their magazine? Vogue Hong Kong as a magazine is actually decent, but their covers aren't showcasing it.

 

[Kimy Jo]

Very awesome surprise for me, love the second cover

 

[Zorka]

VIVIENNE ROHNER
Photography: Leslie Zhang
Styling: Sean Kunjambu
AI artist: Chad Nelson
Hair: Nate Peng
Make-up: Yooyo Keong
Model: Vivienne Rohner



voguehk.com

 

[Deleted member 141523]

Vivienne will be huge as Rianne or Vittoria. She's talented.

 

[Fiercification]

"In The Mood For Love" inspiration?

This is proof we need Leslie Zhang to make the jump to Western publications, at least from time to time. If that's not an entirely selfish sentiment to hold?

 

[SLFC]

As a fan of both Vivienne and Leslie this is a team I never expected but am all for. Two very talented individuals coming together is always a treat.

 

[Nomar]

I'm a simple person. I see Leslie, I like.

 

[Phuel]

"In The Mood For Love" inspiration?

This is proof we need Leslie Zhang to make the jump to Western publications, at least from time to time. If that's not an entirely selfish sentiment to hold?

Can’t see that happening. The West in general seems openly hostile and discrmintaory towards the Chinese; mostly for not militantly toeing the West’s so-called progressive lines, while still remaining one of the largest fashion consumer that can't be blatantly ignored, so there’s that seething resentment that the Chinese still needs to be catered to— but they’ll do it in a passive-aggressive manner: If the token Asian is given a spot, it’s usually Korean nowadays.

Anyway, very “In The Mood For Love” indeed. Not the most creative take, but the technical aspects alone are impressive, and in these days of amateur/juvenile sensibility running the fashion industry, I’ll gladly take superior and technical proficiency to what gets passed as “creativity” these days, anytime, anywhere, anyplace. Only wish that Vogue HK were as consistently solid as this issue. Most of the time, this edition is unfortunately pointless.